An examination of the ceremonies, beliefs and art of the native American Indians of the woodlands, prairies and plains. The text is complemented by many illustrations, including rawhide paintings, beadwork, pipes, clothing and accessories.

A package of twenty-four full-color plates depicting beautiful native North American clothing, jewelry, religious items, and other artwork made between 1780 and 1920 is complemented by an informative booklet by a curator at the Detroit Institute of Arts.

Illustrates the many objects in the collection. Includes memoirs, essay and text.

Illustrates the many objects in the collection. Includes memoirs, essay and text.

A fully illustrated catalogue presenting new research on the objects in the exhibition will include an essay by the guest curator, David Penney, and contributions from renowned experts, offering insight into the visual and material diversity of the collection and providing a greater understanding of the social and cultural worlds from which these works came. Contributors include Janet Catherine Berlo, Professor of Visual and Cultural Studies at the University of Rochester; Bruce Bernstein, executive director of the Continuous Pathways Foundation, Pueblo of Pojoaque, New Mexico; Barbara Brotherton, the curator of Native American art at the Seattle Art Museum; Joe D. Horse Capture, associate curator at the National Museum of the American Indian; and Susan Secakuku, a Hopi curator and consultant for museums and cultural organizations.

Published on the occasion of the exhibitions Go West! Art of the American Frontier from the Buffalo Bill Center of the West, High Museum of Art, Atlanta, Georgia, November 3, 2013-April 13, 2014, Today's West! Contemporary Art from the Buffalo Bill Center of the West, Booth Western Art Museum, Cartersville, Georgia, October 24, 2013-April 13, 2014.