The Art of Letter Carving in Stone portrays the beauty of this age-old craft alongside practical instruction. Written by an eminent practitioner and teacher, it guides the novice through the basics of letter carving, drawn lettering and making simple designs, and for the more experienced it explains a new proportioning system for classical Roman capitals and demonstrates a useful approach to designing letterform variations.Topics include: the development of twentieth-century letter carving; detailed instruction for V-incising the key strokes of letters; tools, materials, stone and making a letter carving easel; drawing a range of alphabets for use in letter carving; making inscriptions, gilding and painting letters, and simple fixings for inscriptions; designing headstones and plaques, house names, alphabets and poetry texts. This beautiful book illustrates a wide range of exciting and creative pieces, and celebrates the inspiring work of contemporary letter carvers. Superbly illustrated with 380 colour photographs and diagrams.

Based mainly on the period styles of carving found in historic buildings and ancient ruins, this book features projects which include a mix of decorative and sculptural objects that can be easily displayed in the home or garden.

"Letter-carving expert Andrew Hibberd shares his techniques for carving letters on wood and Portland stone. It will appeal to beginner and intermediate wood carvers with an interest in lettering. It features step-by-step projects. In this inspiring book, letter-carving expert Andrew Hibberd shares his techniques for carving letters on wood and Portland stone. You don't need to undertake a lengthy apprenticeship to get started with this enjoyable and rewarding craft. Based mainly on period styles of carving, these unique projects use examples of Andrew's work, starting with the simplest and progressing in difficulty. New styles and skills are introduced along the way. It includes: cutting board, house sign, garden bench, picture frame, and, church plaque."--Wheelers website.

The Art of Letter Carving in Wood is a thorough guide to this beautiful craft. Based on the v-cut method, it explains how to carve letters in a range of sizes, styles and different kinds of wood. The book progresses from the basic to the difficult, and from simply designing and carving letters to using them in a wide range of situations, from the purely practical and informative to the expressive and interpretative. Written by one of the UK's leading and most respected lettering artists, this book not only covers the process of letter carving in wood but also does much more by explaining how to convey a message effectively. It looks at every aspect of designing the piece – be that using italics, spacing the letters, using letters, using the grain or adding colour. With over 500 illustrations, it is the definitive text for all letter carvers in wood.

Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.

Overzicht van vooral de 20e-eeuwse Nederlandse typografie.

Ralph Beyer (1921-2008), exiled at the age of sixteen from Nazi Germany, made his home and career in Britain. He was a carver of stone inscriptions, best known for his huge 'Tablets of the Word' in Basil Spence's Coventry Cathedral. These broke the mould of classical formality associated with British lettercarving after Eric Gill -- their irregularity and roughness offending conventional notions of 'correctness'. In fact, Beyer had spent a few formative months in Gill's workshop, but his own unique voice owed as much to his childhood in Weimar Germany and his father's wide interests, which ranged from Modernist architecture to 'primitive' art. In Britain, Beyer came to know Henry Moore and Nikolaus Pevsner, and was influenced by the artist and poet David Jones. He thus straddles both German and British traditions in lettering as well as the wider art world. This book, profusely illustrated, charts Beyer's increasing sensitivity to words and their realisation in stone. It places his inscriptions, and to a lesser extent his typeface design and sculpture, in context, in the process raising questions about hand lettering itself and what place the making of stone inscriptions may have.