A catalog of an exhibition that surveys the history of international graffiti and street art.

Art from the Streets presents the world's most iconic street artists for the first time in Southeast Asia. Tracing 40 years of street art, the walls of ArtScience Museum located at the iconic Marina Bay Singapore will be invaded for a period of five months. The exhibition catalog by curator and street art expert Magda Danysz introduces the reader to the most important street artists worldwide and gives an overview to the most important styles and techniques used in the art form. With her own gallery having operated between Shanghai, London and Paris for the last decade, Danysz uses her expertise to also shine a spotlight on urban art in Southeast Asia for the first time. In addition the catalog will present exciting new talents such as Felipe Pantone whose work is also featured on the book cover. Furthermore new works created especially for the show and featured in the book will illustrate the vitality and diversity of the movement and its relevance today. Featured artists include:Banksy, Tarek Benaoum, Stéphane Bisseuil, Blade, Crash, Speak Cryptic, D*face, Fab 5 Freddy, FAILE, Shepard Fairey (aka OBEY), Futura, JR, L'Atlas, Ludo, M-City, Miss. Tic, Nasty, EKO, Felipe Pantone, Quik, Lee Quinones, Blek le Rat, Rero, Remi Rough, André Saraiva, Seen, Seth, Invader, Sten Lex, Tanc, Hua Tunan, Yok & Sheryo, YZ, Zevs and many more.

What this urban art from looks like in America's anti-city.

DIVAn authoritative guide to the most significant artists, schools, and styles of street art and graffiti around the world/div

This comprehensive and visual history of graffiti in Los Angeles examines the myriad styles and techniques used by writers today.A.Us most prolific and infamous writers provide insight into the lives of these fugitive artists.

2017 American Book Award Winner from the Before Columbus Foundation In 1911, a fire at the Triangle Shirtwaist Factory in New York City took the lives of 146 workers, most of them young immigrant women and girls. Their deaths galvanized a movement for social and economic justice then, but today’s laborers continue to battle dire working conditions. How can we bring the lessons of the Triangle fire back into practice today? For artist Ruth Sergel, the answer was to fuse art, activism, and collective memory to create a large-scale public commemoration that invites broad participation and incites civic engagement. See You in the Streets showcases her work. It all began modestly in 2004 with Chalk, an invitation to all New Yorkers to remember the 146 victims of the fire by inscribing their names and ages in chalk in front of their former homes. This project inspired Sergel to found the Remember the Triangle Fire Coalition, a broad alliance of artists and activists, universities and unions—more than 250 partners nationwide—to mark the 2011 centennial of the infamous blaze. Putting the coalition together and figuring what to do and how to do it were not easy. This book provides a lively account of the unexpected partnerships, false steps, joyous collective actions, and sustainability of such large public works. Much more than an object lesson from the past, See You in the Streets offers an exuberant perspective on building a social art practice and doing public history through argument and agitation, creativity and celebration with an engaged public.

This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.