By the time of the great Paris Exhibition of 1925, the idea that an interior and its furnishings should form a complete design--a "total look"--dominated the thinking of both designers and their sophisticated clients. In the later 1920s and 1930s, whole studios were established, notably in France and the United States, to serve the needs of a design- and style-conscious middle class intent on showing off its newly refined taste for things modern and exotic: the richly lacquered screen, the tubular steel chair, the vivid geometric carpet. Art Deco Interiors documents this flourishing of design ingenuity in Europe and America. Using contemporary photographs and illustrations of interiors, juxtaposed with modern photographs of individual pieces, it traces the stylistic evolution and dominant motifs of Deco. Patricia Bayer illustrates the triumph of the 1925 exhibition and the establishment of the pure high style of the leading Paris ensembliers, and assesses the tremendous growth of jazzy, Streamline Moderne offshoots in the United States. Major chapters are devoted to large-scale designs for ocean liners, cinemas, theaters, offices, and hotels, and to the revival in the 1970s and 1980s of Deco as a decorative style.

The dramatic 1925 Paris Exhibition heralded the emergence of the Art Deco movement as a great decorative style. The photographs in this book were originally published in three volumes to show the rooms furnished for the exhibition. These original books are now extremely rare and expensive.

Art Deco brings to mind a glamorous era of brilliant architecture, striking interior design, elegant furniture, and superb objets d'art. The term evokes an era of the 1920s and 1930s that prized elegant design elements combined with exotic materials, subtle colors, and the finest workmanship. This amply illustrated survey traces the origins of Deco interiors in Europe and follows its American transformation, with concepts of beauty in design expanded to include stream-lined and machine-made interpretations. Many of the most beloved buildings and their interior spaces in America's cities were Deco-inspired. But Art Deco is not just an historic term. As we see in this full color book, a number of today's designers are incorporating Deco elements into contemporary settings. Here, both interiors and furniture exemplify the sinuous lines and geometric shapes of Deco as part of today's interiors. A visual feast, this book will inspire and inform.

Discover how to recreate and restore authentic period architecture, furnishings and detailing in the Art Deco style. The elegant and sophisticated style known as Art Deco epitomises for many the inter-war years of the 1920s and 1930s. Although not strictly a style of architecture, but a surface decoration, its clean lines and stylized, symmetrical forms nonetheless influenced the design of buildings throughout the world, greatly assisted by the new industrial materials of stainless steel and ferro-concrete. Interiors followed suit, featuring chrome for the first time, as well as brightly coloured enamels, glass and polished stone. Furniture, too, adopted the streamlined look, to which the mass-produced tubular steel of the 1930s was ideally suited. Art Deco transcended class as no other style had done previously. It united architecture (both public and domestic), decorative arts and the cheapest consumer goods. Today, as a result of the building boom of the 1920s and 1930s, more people probably live in a house built in this period than in any other. Although Art Deco House Style is primarily for those who wish to restore their homes to their original style, it is also a comprehensive reference book for devotees wishing to expand their knowledge of the movement. Lavishly illustrated chapters cover every aspect of the home, including furniture, fabrics and decorative detail, and throughout there is discussion of the leading designers of the period. Filled with practical advice and sources of materials, as well as much additional related information, this masterful work is an invaluable guide to the maintenance and renovation of Art Deco homes.

This exploration of Art Deco architectural design embraces many different times and places in its visual and verbal account of the movement's origins, development, and influence.

Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.