For more than three decades, preeminent scholars in comparative literature and postcolonial studies have called for a return to philology as the indispensable basis of critical method in the humanities. Against such calls, this book argues that the privilege philology has always enjoyed within the modern humanities silently reinforces a colonial hierarchy. In fact, each of philology's foundational innovations originally served British rule in India. Tracing an unacknowledged history that extends from British Orientalist Sir William Jones to Palestinian American intellectual Edward Said and beyond, Archaeology of Babel excavates the epistemic transformation that was engendered on a global scale by the colonial reconstruction of native languages, literatures, and law. In the process, it reveals the extent to which even postcolonial studies and European philosophy—not to mention discourses as disparate as Islamic fundamentalism, Hindu nationalism, and global environmentalism—are the progeny of colonial rule. Going further, it unearths the alternate concepts of language and literature that were lost along the way and issues its own call for humanists to reckon with the politics of the philological practices to which they now return.

Large format 8.5x11, full colour high glossy pages with over 60 custom high-resolution maps, graphics and photos.When you get the chronology right, the cartography right and the archaeology right, you will get the Bible text right. What you read in the book you find in the ground! This is the Bible story of the origin of civilization after the global Noahic flood. Christian Archaeological Dating (CAD) requires that no archaeology predates the flood. Scripture dates creation to 5554 BC and the Flood to 3298 BC using the Septuagint. Eight Bible markers in Genesis 10-11 decode the date of the Tower of Babel to around 2850 BC. Archaeology informs us that the Tower of Babel was a Temple to Enki, the freshwater god and was similar in design to the Stepped Pyramid of Djoser in Egypt. In Sumerian flood stories, Enki was the rebel god who warned "Noah" to build the ark over the wishes of the supreme god Enlil who had decreed the destruction of mankind. Ancient Jewish, Christian and secular literary sources unanimous record that Nimrod built the Tower of Babel. Josephus tells us that Nimrod built the Tower of Babel to survive a possible second global flood. Archaeological excavations at Eridu (Babel) demonstrate how over 350 years, Nimrod built 17 pagan mudbrick temples, one upon the other, all dedicated to Enki, the "savior of mankind". In Sumerian myths, Enki also caused the division of languages at Babel (Gen 11). During this earliest period of post-flood civilization, "rebel" Nimrod plays a key and central role in almost every area. The identity of Nimrod is unknown, but he is best represented by the character of Enmerkar in Sumerian literary sources. Although excavations at biblical Babel (Tel Eridu) in the 1940's did not find any evidence of the Tower itself, evidence of the 300-meter square elevated platform upon which the Tower of Babel was going to be built has been documented. The city of Eridu (Babel) and the platform were abandoned for 750 years until the Assyrian King Ur-Nammu built a Ziggurat Temple to Enki upon it in 2100 BC. Abraham leaves Ur the very year that Ur-Nammu begins construction of the Ziggurat in 2100 BC. To the Christian Nimrod is antitypical of Satan, Absalom and Judas as the epitome of rebellion, treason and betrayal against the One True God. The Tower of Babel represents false world religions and false Christian doctrines.

The Tower of Babel: The Cultural History of Our Ancestors reveals our shared ancestry as never before! Many are familiar with the Biblical account of Babel, but after the dispersal, there was a void beyond Biblical history until empires like Rome and Greece arose. Now, discover the truth of these people groups and their civilizations that spread across the earth and trace their roots back to Babel as well as to the sons and grandsons of Noah. Many of today's scholars write off what occurred at the Tower of Babel as mythology and deny that it was a historical event. Beginning with the Biblical accounts, author Bodie Hodge researched ancient texts, critical clues, and rare historic records to help solve the mystery of what became of the failed builders of Babel. For the purpose of defending the Bible, Hodge presents these and other vital historical facts surrounding this much-debated event. Teens and older can use this layman's reference for Biblical classes, ancient history, apologetics training, and to realize their own cultural connection to the Bible.

The eighteenth century struggled to define architecture as either an art or a science—the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual. In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum. Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.

C.W. Ceram visualized archeology as a wonderful combination of high adventure, romance, history and scholarship, and this book, a chronicle of man's search for his past, reads like a dramatic narrative. We travel with Heinrich Schliemann as, defying the ridicule of the learned world, he actually unearths the remains of the ancient city of Troy. We share the excitement of Lord Carnarvon and Howard Carter as they first glimpse the riches of Tutankhamen's tomb, of George Smith when he found the ancient clay tablets that contained the records of the Biblical Flood. We rediscover the ruined splendors of the Hanging Gardens of Babylon, one of the wonders of the ancient wold; of Chichen Itza, the abandoned pyramids of the Maya: and the legendary Labyrinth of tile Minotaur in Crete. Here is much of the history of civilization and the stories of the men who rediscovered it. Illustrated with drawings, maps, and photographs

Reversing Babel: Translation among the English during an Age of Conquests, c. 800 to c. 1200, starts with a small puzzle: Why did the Normans translate English law, the law of the people they had conquered, from Old English into Latin? Solving this puzzle meant asking questions about what medieval writers thought about language and translation, what created the need and desire to translate, and how translators went about the work. These are the questions Reversing Babel attempts to answer by providing evidence that comes from the world in which not just Norman translators of law but any translators of any texts, regardless of languages, did their translating Reversing Babel reaches back from 1066 to the translation work done in an earlier conquest-a handful of important works translated in the ninth century in response to the alleged devastating effect of the Viking invasions-and carries the analysis up to the wave of Anglo-French translations created in the late twelfth century when England was a part of a large empire, ruled by a king from Anjou who held power not only in western France from Normandy in the north to the Pyrenees in the south, but also in Ireland, Scotland, and Wales. In this longer and wider view, the impact of political events on acts of translation is more easily weighed against the impact of other factors such as geography, travel, trade, community, trends in learning, ideas about language, and habits of translation. These factors colored the contact situations created in England between speakers and readers of different languages during perhaps the most politically unstable period in English history. The variety of medieval translation among the English, and among those translators working in the greater empires of Cnut, the Normans, and the Angevins, is remarkable. Reversing Babel does not try to describe all of it; rather, it charts a course through the evidence and tries to answer the fundamental questions medieval historians should ask when their sources are medieval translations.