Essays suggesting new ways of studying the crucial but sometimes difficult range of medieval mystical material. This volume seeks to explore the origins, context and content of the anchoritic and mystical texts produced in England during the Middle Ages and to examine the ways in which these texts may be studied and taught today. It foregrounds issues of context and interaction, seeking both to position medieval spiritual writings against a surprisingly wide range of contemporary contexts and to face the challenge of making these texts accessible to a wider readership. The contributions, by leading scholars in the field, incorporate historical, literary and theological perspectives and offer critical approaches and background material which will inform both research and teaching. The approaches to Middle English anchoritic and mystical texts suggested in this volume are many and varied. In this they reflect the richness and complexity of the contexts from which these writings emerged. These essays are offered aspart of an ongoing exploration of aspects of medieval spirituality which, while posing a considerable challenge to modern readers, also offer invaluable insights into the interaction between medieval culture and belief. Contributors: E.A. Jones, Dee Dyas, Valerie Edden, Santha Bhattachariji, Denis Renevey, A.C. Spearing, Thomas Bestul, Liz Herbert McAvoy, Barry A. Windeatt, Alexandra Barratt, R.S. Allen, Roger Ellis, Ann M. Hutchison, Marion Glasscoe, Catherine Innes-Parker

The widespread view that 'mystical' activity in the Middle Ages was a rarefied enterprise of a privileged spiritual elite has led to isolation of the medieval 'mystics' into a separate, narrowly defined category. Taking the opposite view, this book shows how individual mystical experience, such as those recorded by Julian of Norwich and Margery Kempe, is rooted in, nourished and framed by the richly distinctive spiritual contexts of the period. Arranged by sections corresponding to historical developments, it explores the primary vernacular texts, their authors, and the contexts that formed the expression and exploration of mystical experiences in medieval England. This is an excellent, insightful introduction to medieval English mystical texts, their authors, readers and communities. Featuring a guide to further reading and a chronology, the Companion offers an accessible overview for students of literature, history and theology.

Spiritual seekers throughout history have sought illumination through solitary contemplation. In the Christian tradition, medieval England stands out for its remarkable array of hermits, recluses, and spiritual outsiders—from Cuthbert, Godric of Fichale, and Christina of Markyate to Richard Rolle, Julian of Norwich, and Margery Kempe. In The Secret Within, Wolfgang Riehle offers the first comprehensive history of English medieval mysticism in decades—one that will appeal to anyone fascinated by mysticism as a phenomenon of religious life. In considering the origins and evolution of the English mystical tradition, Riehle begins in the twelfth century with the revival of eremitical mysticism and the early growth of the Cistercian Order in the British Isles. He then focuses in depth on the great mystics of the fourteenth and fifteenth centuries—Richard Rolle (the first great English mystic), the author of The Cloud of Unknowing, Walter Hilton, Margery Kempe, and Julian of Norwich. Riehle carefully grounds his narrative in the broader spiritual landscape of the Middle Ages, pointing out both prior influences dating back to Late Antiquity and corresponding developments in mysticism and theology on the Continent. He discusses the problem of possible differences between male and female spirituality and the movement of popularizing mysticism in the late Middle Ages. Filled with fresh insights, The Secret Within will be welcomed especially by teachers and students of medieval literature as well as by those engaged in historical, theological, philosophical, cultural, even anthropological and comparative studies of mysticism.

This study analyses anchoritic guides written in England from eleventh to fourteenth centuries to observe the changes in the attitudes of the authors towards their primary audiences and by this way concerns itself with the life in the anchorhold and the possible changes in the meaning and basic elements of the solitary religious pursuit for both the authors and the primary audience of the anchoritic rules. After a close analysis of the Images, motifs and some highly Important themes of the texts such as enclosure and virginity, the present study points out certain shifts in the discourses of the authors and comments on the possible reasons for these changes. The author in the end reaches the conclusion that the regulations for the life of an anchoress were shaped around the general tendencies and contemplative trends of the period, as well as the personal inclinations of the advisors.

This edition brings together for the first time key texts representing the writings of the medieval English mystics. The texts are newly edited from manuscripts, and are supplemented with notes and a glossary. The book focuses on five major authors, Richard Rolle, Walter Hilton, the anonymous author of The Cloud of Unknowing, Dame Julian of Norwich, and Margery Kempe; extracts from contemporary translations are also included to illustrate the reception of European mystical texts in later medieval England.

This volume brings together a wide range of original, scholarly essays on key figures and topics in medieval literature by leading academics. The volume examines the major authors such as Chaucer, Langland and the Gawain Poet, and covers key topics in medieval literature, including gender, class, courtly and popular culture, and religion. The volume seeks to provide a fresh and stimulating guide to medieval literature.

The German mystic Gertrude the Great of Helfta (c.1256–1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative rewriting. The vernacular copies of these redactions challenge the long-standing idea that translations do not bear the same literary or historical weight as the originals upon which they are based. In this study, Racha Kirakosian argues that manuscript transmission reveals how redactors serve as cultural agents. Examining the late medieval vernacular copies of Gertrude's visions, she demonstrates how redactors recast textual materials, reflected changes in piety, and generated new forms of devotional practices. She also shows how these texts served as a bridge between material culture, in the form of textiles and book illumination, and mysticism. Kirakosian's multi-faceted study is an important contribution to current debates on medieval manuscript culture, authorship, and translation as objects of study in their own right.