When you're in love with the wrong person for the right reasons, anything could happen. Tretch lives in a very small town where everybody's in everybody else's business. Which makes it hard for him to be in love with his straight best friend. For his part, Matt is completely oblivious to the way Tretch feels - and Tretch can't tell whether that makes it better or worse.The problem with living a lie is that the lie can slowly become your life. For Tretch, the problem isn't just with Matt. His family has no idea who he really is and what he's really thinking. The girl at the local bookstore has no clue how off-base her crush on him is. And the guy at school who's a thorn in Tretch's side doesn't realize how close to the truth he's hitting.Tretch has spent a lot of time dancing alone in his room, but now he's got to step outside his comfort zone and into the wider world. Because like love, a true self can rarely be contained.

'The book we all need - full of escapism, romance, hope and kindness' Milly Johnson 'Gloriously romantic' Sun 'I couldn't put it down' Jill Mansell Your big secret is out. What next? For Lara and her daughter Eliza, it has always been just the two of them. But when Eliza turns eighteen and wants to connect with her father, Lara is forced to admit a secret that she has been keeping from her daughter her whole life. Eliza needs answers - and so does Lara. Their journey to the truth will take them on a road trip across England and eventually to New York, where it all began. Dreams might have been broken and opportunities missed, but there are still surprises in store... Anything Could Happen is a warm, wise, funny and uplifting novel about love, second chances and the unexpected and extraordinary paths life can take us down. More praise for Anything Could Happen 'Captivating' Woman & Home 'A lovely, romantic read' 5* reader review 'Tender, bittersweet and funny' Veronica Henry 'Heartwarming' 5* reader review 'Perfect' Prima 'I absolutely loved it' 5* reader review 'A star-crossed lovers story with so much heart and humour' Fiona Palmer 'Unputdownable' 5* reader review 'Full of extraordinary surprises' Woman's Own 'Delightful' 5* reader review 'A feel-good, uplifting book' Sheila O'Flanagan 'Kept me captivated' 5* reader review 'Lovely!' Hello! 'One of my favourite authors' 5* reader review 'Romantic, uplifting and a total joy' Heidi Swain 'A perfect rainy day read' Bella 'Brimming with humour and hope - this book is a joy to escape into' Cathy Bramley '[A] warm hug of a novel' Irish News 'A story of true love and near misses' 5* reader review 'A wonderful book about the What Ifs of love and loss' Laura Kemp 'I laughed and cried and didn't want it to end' 5* reader review 'A captivating, humorous and warm-hearted story elevated to must-read status' Heat 'A story of love, forgiveness and taking a chance on new beginnings' 5* reader review

'We have to shift from a mindset of shame, which sees anxiety as evidence of brokenness, to a mindset of curiosity, which recognizes that anxiety is evidence of our sensitive heart, our imaginative mind and our soul's desire to grow towards wholeness.' Three million people are thought to suffer from anxiety in the UK, and it is an issue that affects a growing number of people across all ages. For anyone troubled by obsessive thoughts, insomnia and other manifestations of anxiety, counsellor Sheryl Paul offers shelter in the storm. In The Wisdom of Anxiety, Paul reveals that anxiety, like any emotion, is a signal - a clear bodily invitation to heal and renew your trust in your choices, self-image and core values. Weaving together practical exercises with personal stories, Paul offers medication-free approaches for accessing the gifts in different kinds of anxiety, and especially the anxiety summoned by life's transitions, for example a career change, becoming parents or becoming carers for loved ones. Chapters include recognising the symptoms of anxiety, its origins, the myth of 'normal', the expectation of happiness and a timeline of healing that includes exercises for the body and mind. There are also chapters on parenting in an age of anxiety and the vulnerability of connection and relationships.

Constantine is a drifter, a man with a lot of miles behind him and a lot more ahead and a number of jobs in between that never showed up on anyone's books. He hitches a ride on a bright spring morning with a little man named Polk. Heading down a country road in Polk's hopped-up muscle-car, the two men share a few cigarettes. This is how it starts. Later, when Constantine walks toward the big brick house, the Beat in his head, the grip of the .45 warm in his hand, the siren wailing in the night at his back, he thinks that the whole thing started on that road, with the car stopping for his upturned thumb. He thinks that the things that happen to a man are put in motion by something just that small, that random. He thinks about that, and he laughs. But he keeps walking. Shoedog is noir writing at its finest, a modern crime novel with the lingering resonance of good whiskey and the brutal recoil of a shotgun blast.

Two veteran writers collaborate on this fascinating behind-the-scenes account of the journey that took the “practically perfect” nanny from the pages of P. L. Travers’s beloved novels to the stage. Well-known British writer and radio personality Brian Sibley tells Mary Poppins’s story, from her obscure origins in Travers’s Australian childhood and her progress through the series of books Travers began to write in 1934, to her incarnation by Julie Andrews in one of the most successful Disney films of all time, to her long-awaited landing onstage in London’s West End. A long-time friend of Travers and co-writer with her of an unproduced sequel to the film, Sibley offers unique insights into the idiosyncratic author’s complex relationship to her heroine, and the decades-long series of proposals and negotiations that finally resulted in Disney Theatrical Productions joining forces with the Cameron Mackintosh Theatrical Group to realize Travers’s stories as a spectacular work of musical theater. Sibley’s details the entire development process of the show’s script, music, choreography, and design, culminating in a glorious opening night on December 15, 2004 in London’s Prince Edward’s Theatre, as Mary Poppins is met by cheering sold-out houses and critical raves. In the book’s second half, Michael Lassell gives a fascinating backstage account of the show’s transfer to Broadway, including the show’s American casting and important changes to its book, lyrics, and designs, as the creative team strives to “plus” Poppins to perfection.