This is the first systematic attempt to survey in detail the archaeological evidence for the crafts and craftsmanship of the Sumerians, Babylonians, and Assyrians in ancient Mesopotamia, covering the period ca. 8000-300 B.C.E. As creators of some of the earliest farming and urban communities known to us, these people were among the first pioneers of many crafts and skills that remain fundamental to modern ways of life. Many of the raw materials for crafts had to be imported from outside the river valley of the Tigris and Euphrates, providing an unusually sensitive indicator of the commercial and cultural contacts of Mesopotamia. In this book, Dr. Moorey reviews briefly the textual evidence, and then goes on to examine in detail the material evidence for a wide range of crafts using stones, both common and ornamental, animal products--from hippopotamus ivory to ostrich egg-shells--ceramics, glazed materials and glass, metals, and building materials. With a comprehensive bibliography, this will be a key work of reference for archaeologists and those interested in the early history of crafts and technology, as well as for specialist historians of the ancient Near East.

Urban history starts in ancient Mesopotamia. In this volume Marc Van De Mieroop examines the evolution of the very earliest cities which, for millennia, inspired the rest of the ancient world. The city determined every aspect of Mesopotamian civilization, and the political and social structure, economy, literature, and arts of Mesopotamian culture cannot be understood without acknowledging their urban background. - ;Urban history starts in ancient Mesopotamia: the earliest known cities developed there as the result of long indigenous processes, and, for millennia, the city determined every aspect of Mesopotamian civilization. Marc Van De Mieroop examines urban life in the historical period, investigating urban topography, the role of cities as centres of culture, their political and social structures, economy, literature, and the arts. He draws on material from the entirety of Mesopotamian history, from c. 3000 to 300 BC, and from both Babylonia and Assyria, arguing that the Mesopotamian city can be regarded as a prototype that inspired the rest of the ancient world and shared characteristics with the European cities of antiquity. -

Likely to become a standard work for students of the ancient Near East, and for those interested in the high cultures of the region, this account is also a highly accessible repository of information valuable to archaeologists, anthropologists, etc

The first general introduction to Mesopotamia that covers all four of the area's major ancient civilizations—Sumer, Akkad, Assyria, and Babylonia. Ancient Mesopotamia: New Perspectives ranges from the region's cultural beginnings to its Persian "liberation," from simple farmers to mighty kings, from the marshy Gulf shores and Arabian desert sands to the foothills of the Taurus and Zagros mountains. It is the first volume to capture the entire sweep of Mesopotamia's four major ancient cultures (Sumerian, Akkadian, Assyrian, Babylonian) in one concise and captivating volume. Ancient Mesopotamia reveals how archaeologists, geologists, geographers, and other scientists have pieced together an understanding of some of the most complex and accomplished civilizations in history: their economies, social orders, political systems, religions, intellectual accomplishments, and material culture. It offers a wealth of information and insights into the glorious past of a land in turmoil today.

Explores the lifestyles of ancient Mesopotamia, including the civilization, rulers and leaders, economics, and more.

The book describes current research into all aspects of craftwork in ancient Egypt.

"In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan offers the first in-depth study of the words and expressions for colors in the Akkadian language (c. 2500-500 BCE). By combining philological analysis with the technical investigation of materials, she debunks the misconception that people in Mesopotamia had a limited sense of color and convincingly positions the development of Akkadian color language as a corollary of the history of materials and techniques in the ancient Near East"--