Michael Moran is an old Irish Republican whose life was forever transformed by his days of glory as a guerrilla leader in the Irish War of Independence. Moran is till fighting—with his family, his friends, and even himself—in this haunting testimony to the enduring qualities of the human spirit.

Originally published in 1992. In an age when genteel women wrote little more than personal letters, how did Jane Austen manage to become a novelist? Was she an isolated genius who rose to fame through sheer talent? Did she draw strength from the support of her family or from women writers who went before her? In Jane Austen among Women, Deborah Kaplan argues that these explanations are either misleading or insufficient. Austen, Kaplan contends, participated actively in a women's culture that promoted female authority and achievement—a culture that not only helped her become a novelist but also influenced her fiction.

Only Among Women reveals how the idea of a community of women as a social sphere ostensibly free from the taint of money, sex, or self-interest originated in the classic Russian novel, fueled mystical notions of unity in turn-of-the-century modernism, and finally assumed a privileged place in Stalinist culture, especially cinema.

Women's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt. Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.

Ellsberg offers devotional sketches on history's greatest women and gives insight into the way that women of all faiths and backgrounds have lived out the lives of sanctity, mysticism, social justice, and world reform.

In Among Women across Worlds, Suzy Kim excavates the transnational linkages between women of North Korea and a worldwide women's movement. Women of Asia, especially those espousing communism, are often portrayed as victims or pawns of a patriarchal Confucian state. Kim undercuts this standard analysis through detailed archival work in the international women's press, and finds that North Korean women asserted themselves in unexpected places from the late 1940s—just before the official beginning of the Korean War—to 1975, the year designated by the UN as International Women's Year. By centering North Korea and the "East," Kim defies convention to offer an entirely new genealogy of the global women's movement. Women of the Korean Democratic Women's Union (KDWU), as part of the global left women's movement led by the Women's International Democratic Federation (WIDF), insisted family and domestic issues must be part of both national and international debates, highlighting how race, nationality, sex, and class connect to form systems of colonial and capitalist exploitation. Their intersectional program claimed that there is "no peace without justice," that "the personal is the political," and that "women's rights are human rights" many decades before activists of the West embraced such agendas. Among Women across Worlds is an archaeology of forgotten movements and ideas that became the foundation for those that have come to define our era.

Zublinka is a beloved friend, author, and philosopher who, at the age of 70, lives a rich and varied life of the mind and spirit. The warm and witty novel shows that goodness is possible and seldom unalloyed.