"A deep, fascinating dive into a uniquely American brand of religious zealotry that poses a grave threat to our national parks, wilderness areas, wildlife sanctuaries, and other public lands. It also happens to be a delight to read." —JON KRAKAUER American Zion is the story of the Bundy family, famous for their armed conflicts in the West. With an antagonism that goes back to the very first Mormons who fled the Midwest for the Great Basin, they hold a sense of entitlement that confronts both law and democracy. Today their cowboy confrontations threaten public lands, wild species, and American heritage. BETSY GAINES QUAMMEN is a historian and conservationist. She received a doctorate in Environmental History from Montana State University in 2017, her dissertation focusing on Mormon settlement and public land conflicts. After college in Colorado, caretaking for a bed and breakfast in Mosier, Oregon, and serving breakfasts at a cafe in Kanab, Utah, Betsy has settled in Bozeman, Montana, where she now lives with her husband, writer David Quammen, three huge dogs, an overweight cat, and a pretty big python named Boots.

DIV A wide-ranging exploration of early Americans’ use of the Old Testament for political purposes /div

Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands. Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning. This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.

Bringing Zion Home examines the role of culture in the establishment of the "special relationship" between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel's "natural" place in American culture, a phenomenon that continues to shape America's relationship with Israel today. Katz shows that American Jews' promotion and consumption of Israel in the cultural realm was bound up with multiple agendas, including the quest for Jewish authenticity in a postimmigrant milieu and the desire of upwardly mobile Jews to polish their status in American society. And, crucially, as influential cultural and political elites positioned "culture" as both an engine of American dominance and as a purveyor of peace in the Cold War, many of Israel's American Jewish impresarios proclaimed publicly that cultural patronage of and exchange with Israel advanced America's interests in the Middle East and helped spread the "American way" in the postwar world. Bringing Zion Home is the first book to shine a light squarely upon the role and importance of Israel in the arts, popular culture, and material culture of postwar America.

Come Shouting to Zion: African American Protestantism in the American South and British Caribbean to 1830

This is an exploration of the interaction between African American religions and Jewish traditions, beliefs, and spaces. The collection's argument is that religion is the missing piece of the cultural jigsaw, and black-Jewish relations need the religious roots of their problem illuminated.

Zion did not spring up by chance along a rolling river or upon a hilltop. The land in which Zion City planted its roots was sought out by a surveying team and then purchased by Dr. John Alexander Dowie for the sole purpose of building a religious utopia. Before the first spade of soil was turned, attention was given to every detail, from utilities to commercial areas and educational institutions and (most importantly) the temple. In less than a decade, Dowie and his followers built a self-sufficient theocracy that sheltered its inhabitants from the outside world. Indeed, Zion boasts a unique history and is a most intriguing study in the successes and failures of a planned city of God.