L. Frank Baum's "American Fairy Tales" is a delightful collection of colorful and imaginative stories that show the author's individual originality and exploration of the American experience. Baum, best known for his renowned "The Wizard of Oz" trilogy, introduces readers to a number of captivating tales that merge fantasy with a touch of Americana. Baum takes readers on a wonderful voyage into a realm where talking animals, magic, and regular people combine in unusual ways in this anthology. Each narrative takes a fresh spin on traditional fairy tale components, typically with a fun and satirical take on contemporary standards and ideals. Baum embraces the diversity of American culture and landscapes in these stories, demonstrating his skill at building narratives that appeal to readers of all ages. While "American Fairy Tales" deviates from classic European fairy tales, it retains the genre's charm and wonder. Baum's wit and storytelling prowess shine through as he weaves amusing and thought-provoking scenarios. Baum's skilled storytelling and aim to build a uniquely American mythology are reflected in the collection's blend of fantasy and social satire.

From award-winning author Adriana Herrera comes a heart-warming—and seriously hot—contemporary romance in her highly-acclaimed Dreamers series. “Herrera delivers an emotionally resonant, sensually charged second Dreamers contemporary (after American Dreamer) that will knock readers’ socks off.”—Publishers Weekly, starred review “American Fairytale is nothing short of magical.”—Book Riot, a Best Books of 2019 pick “A fresh and vital new voice in romance.”—Entertainment Weekly Fairytale endings don’t just happen; they have to be fought for New York City social worker Camilo Santiago Briggs grew up surrounded by survivors who taught him to never rely on anything you didn’t earn yourself. He’s always dreamt of his own happily ever after, but he lives in the real world. Men who seem too good to be true…usually are. And Milo never ever mixes business with pleasure...until the mysterious man he had an unforgettable hookup with turns out to be the wealthy donor behind his agency’s new, next-level funding. Thomas Hughes built a billion dollar business from nothing: he knows what he wants and isn’t shy about going after it. When the enthralling stranger who blew his mind at a black-tie gala reappears, Tom’s more than ready to be his Prince Charming. Showering Milo with the very best of everything is how Tom shows his affection. Trouble is, Milo’s not interested in any of it. The only thing Milo wants is Tom. Fairytale endings take work as well as love. For Milo, that means learning to let someone take care of him, for a change. And for Tom, it’s figuring out that real love is the one thing you can’t buy. Dreamers Book 1: American Dreamer Book 2: American Fairytale Book 3: American Love Story Book 4: American Sweethearts Book 5: American Christmas

For years, many folklorists have denied the possibility of a truly American folk or fairy tale. They have argued that the tales found in the United States are watered-down derivatives of European fare. With this gathering, William Bernard McCarthy compiles evidence strongly to the contrary. Cinderella in America: A Book of Folk and Fairy Tales represents these tales as they have been told in the United States from Revolutionary days until the present. To capture this richness, tales are grouped in chapters that represent regional and ethnic groups, including Iberian, French, German, British, Irish, other European, African American, and Native American. These tales are drawn from published collections, journals, and archives, and from fieldwork by McCarthy and his colleagues. Created along the nationalist model of the Brothers Grimm yet as diverse in its voices and themes as the nation it represents, Cinderella in America shows these tales truly merit the designation American.

Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder, accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a "fairy-tale web" of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century. Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres. Bacchilega begins by assessing changes in contemporary understandings and adaptations of the Euro-American fairy tale since the 1970s, and introduces the fairy-tale web as a network of reading and writing practices with a long history shaped by forces of gender politics, capitalism, and colonialism. In the chapters that follow, Bacchilega considers a range of texts, from high profile films like Disney's Enchanted, Guillermo del Toro's Pan's Labyrinth, and Catherine Breillat's Bluebeard to literary adaptations like Nalo Hopkinson's Skin Folk, Emma Donoghue's Kissing the Witch, and Bill Willingham's popular comics series, Fables. She looks at the fairy-tale web from a number of approaches, including adaptation as "activist response" in Chapter 1, as remediation within convergence culture in Chapter 2, and a space of genre mixing in Chapter 3. Chapter 4 connects adaptation with issues of translation and stereotyping to discuss mainstream North American adaptations of The Arabian Nights as "media text" in post-9/11 globalized culture. Bacchilega's epilogue invites scholars to intensify their attention to multimedia fairy-tale traditions and the relationship of folk and fairy tales with other cultures' wonder genres. Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.

In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them, Kate Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.

Nineteen stories focus on the magical lore and wondrous imaginings of African American women.