In the spirit of Friday Night Lights comes the stirring story of a marching band from small-town middle America. Every fall, marching bands take to the field in a uniquely American ritual. For millions of kids, band is a rite of passage—a first foray into leadership and adult responsibility, and a chance to learn what it means to be a part of a community. Nowhere is band more serious than at Concord High School in Elkhart, Indiana, where the entire town is involved with the success of its defending state champion band, the Marching Minutemen. In the place where this tradition may have originated, in the city that became the band instrument capital of the world, band is a religion. But it’s not the only religion—as legendary director Max Jones discovers when conflicting notions of faith and purpose collide during his final year as director. In this intimate chronicle, the band marches through a season that starts in hope and promise, progresses through uncertainty and disappointment, and ends, ultimately, in redemption.

As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.

The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.

The authorized story of an American band who shaped the history of music for generations. Today's new music-makers are looking back at the bands that broke the ground, and the Ramones are it: the original high priests of punk, the stars of rock 'n roll high school, the royal avatars of rock, raunch, and rebellion. 60 photographs and illustrations.

(Book). This is a vivid and rollicking account of The Band's journey across three decades. Spanning the history of American rock and boasting a supporting cast that includes Dylan, Janis Joplin, and U2, the book brilliantly captures the raw magic and complex personalities of a group George Harrison called "the best band in the history of the universe." This revised U.S. edition includes a postscript, together with an obituary of Rick Danko and a brand-new interview with Robbie Robertson.

The impulse to doAMERICAN MUSIC, writes famed photographer Annie Leibovitz, “came from a desire to return to my original subject and look at it with a mature eye. Bring my experience to it…make it a real American tapestry.” Her ambitious idea becameAMERICAN MUSIC, a stunning collection of photographs of the musicians, places and people that enrich the landscape of American music. AsRolling Stone’schief photographer for over thirteen years, Leibovitz created a legendary body of work. Her portraits of some of the world’s most talented musicians capture more than the performer, they convey the art of making music. ForAMERICAN MUSIC, Leibovitz traveled across the country to juke joints in the Mississippi Delta, honkytonks in Texas, and jazz clubs in New Orleans “to take pictures in places that mean something.” In her signature style, she shares stunning portraits of American greats --B.B. King,Willie Nelson,Bonnie Raitt,Bruce Springsteen,Beck,Bob Dylan,Mary J. Blige,Jon Bon Jovi, Steve Earle,Ryan Adams,Miles Davis,Etta James,Pete Seeger,Emmylou Harris,Tom Waits,The Dixie Chicks,Dr. Dre, The Rootsand many more. AMERICAN MUSICincludes a commentary about the American Music project by Leibovitz, short essays by musiciansPatti Smith,Rosanne Cash,Steve Earle,Mos Def,Ryan Adams, andBeckas well as biographical sketches of all the musicians. From the Hardcover edition.

Includes previously unpublished interviews and photos: “His research is extensive, but the overall pace through these two hundred pages is breezy and entertaining.” —Vintage Rock At a time when acid rock and heavy metal dominated popular music, The Band rebelled against the rebellion with tight ensemble arrangements, masterful musicianship, highly literate lyrics, and a respect for the musical traditions of the American South. Comprised of Canadians Robbie Robertson, Rick Danko, Richard Manuel, and Garth Hudson, and Arkansas-born Levon Helm, The Band sparked a new appreciation for America’s musical roots, fusing R&B, jump blues, country, folk, boogie-woogie, swing, Cajun, New Orleans-style jazz, and rock, and setting the foundations for the Americana that would take hold thirty years later. The Band: Pioneers of Americana Music explores the diverse influences on the quintet’s music, and the impact that their music had in turn on contemporary music and American society. Through previously unpublished interviews with Robbie Robertson, Eric Andersen, Pete Seeger, and the late Rick Danko, as well as numerous other sources, Craig Harris surveys The Band’s musical journey from sidemen for, among others, Ronnie Hawkins and Bob Dylan to rock legends in their own right. Touching on the evolution of rock and roll, the electrifying of folk music, unionism, the Civil Rights Movement, changes in radio formatting, shifting perceptions of the American South, and the commercializing of the counterculture, as well as drug dependency, alcoholism, suicide, greed, and the struggle against cancer, Harris takes readers from The Band’s groundbreaking albums, Music from Big Pink and The Band, through their final releases and solo recordings, as well as their historic appearances at Woodstock, the Isle of Wight Festival (with Dylan), Watkins Glen (with the Allman Brothers Band and the Grateful Dead), and the filmed final concert known as the Last Waltz (with an all-star cast). Sixteen previously unpublished photographs, by the author, are included.