Regarded as «Cuba's most mysterious poet», Juan Francisco Manzano continues to intrigue scholars across disciplines. Using a postcolonial approach, this book breaks new ground by exploring the poet's connection with the Irish civil rights champion, Richard Robert Madden. Drawing on previously untapped sources, Gera C. Burton takes a fresh look at the relationship between these two extraordinary individuals to reveal facts considered critical in achieving an understanding of their association, with particular resonance for postcolonial studies. What emerges, regardless of their ambivalence, is the creation of a strategic alliance forged by the two writers in opposition to the colonial powers. Scholars in the fields of Latin American, postcolonial, and Diasporic studies, along with specialists in Cuban and Irish studies will welcome this significant contribution to the body of work on «la gente sin historia» - the people without a history.

This study comprises a comparative analysis of the counter-discourse of the Cuban poet-slave, Juan Francisco Manzano, and the Irish writer and historian, Richard Robert Madden, who championed the rights of Blacks in Jamaica and Cuba. Key figures in the history and literature of their respective countries, their literary and historical contributions have not received critical attention from the standpoint of postcolonial theory. Focussing on ambivalence, a feature of the colonized subject's discourse, this contrapuntal analysis reveals a distinct convergence in the interaction of these figures with nineteenth-century imperial culture. Drawing on primary research conducted at Leabhairlann Náisiúnta na héireann, (the National Library of Ireland) the Royal Irish Academy in Dublin, the Biblioteca Nacional José Marti (National Library) in Havana, Cuba, and using postcolonial theory as methodological framework, the analysis recuperates voices drowned out by the colonial enterprise, and may be viewed as an attempt to extend current modes of postcoloniality. Chapter One sets out the general methodological framework based on postcolonial theory. Chapter Two provides the historical perspective to nineteenth-century imperialism as imposed on Cuba and Ireland. Chapter Three investigates the complexity of identity for subjects of religio-racial oppression. Chapter Four examines resistance, where the experience of the Cuban slave parallels that of the indigenous Irish subject; the emancipation phase is viewed in relation to the struggles of Frederick Douglass and Daniel O'Connell. Chapter Five concludes the work with a synthesis of Madden and Manzano's counter-discursive strategies vis à vis the legacy of colonialism in their respective countries.

Exemplary Ambivalence fills a critical gap within studies of 19th-century Spanish America as it explores the inconsistencies of exemplary texts and emphasizes the forms, sources, and implications of creole ideological and narrative multiplicity. This interdisciplinary study examines creole writing subjectivities and ethnic fictions within the construction of national, aesthetic, and gendered cultural identities, highlighting the dynamic relationship between exemplary discourse and readers as active interpretive agents.

Focusing on the contributions of Frantz Fanon's writing to the construction of a theory of the postcolonial subject, this book engages post-structuralist discussions on subjectivity and explores the most important readings and discussions of Fanon's work. Problems such as historicity, contingency, and the positions of the subject in postcolonial contexts receive special attention together with phenomenological approaches to Fanonian writing. The central idea is to give Fanon a privileged place in social, political, and cultural analysis. The objectives of the book are to insert Fanon’s texts in contemporary critical theory on modernity and coloniality and to incorporate Fanon in the epistemological and conceptual context of the academy. This innovative work allows us to understand Fanon’s writing as key to linking the experiences and critical developments between the global south and the global north.

This volume provides an essential key to understanding the issues which characterize post-colonialism, explaining what it is, where it is encountered and why it is crucial in forging new cultural identities. As a subject, post-colonial studies stands at the intersection of debates about race, colonialism, gender, politics and language. In the language of post-colonial studies, some words are new, others are familiar words charged with new significance. Among over 100 entries, this book includes definitions of: diaspora Fanonism hybridity imperialism Manicheanism mimicry miscegenation negritude orientalism settler-colony subaltern trans-culturation There are suggestions for further reading at the end of each entry and a comprehensive glossary with extensive cross-referencing. The bibliography of essential writings in post-colonial studies is in an easy-to-use A-Z format.

This book places the lens on postcolonial agency and resistance in a social and geopolitical context that has witnessed great transformations in international politics. What does postcolonial politics mean in a late modern context of interventions that seek to govern postcolonial populations? Drawing on historic and contemporary articulations of agency and resistance and highlighting voices from the postcolonial world, the book explores the transition from colonial modernity to the late modern postcolonial era. It shows that at each moment wherein the claim to politics is made, the postcolonial subject comes face to face with global operations of power that seek to control and govern. As seen in the Middle East and elsewhere, these operations have variously drawn on war, policing, as well as pedagogical practices geared at governing the political aspirations of target societies. The book provides a conceptualisation of postcolonial political subjectivity, discusses moments of its emergence, and exposes the security agendas that seek to govern it. Engaging with political thought, from Hannah Arendt, to Frantz Fanon, Michel Foucault, and Edward Said, among other critical and postcolonial theorists, and drawing on art, literature, and film from the postcolonial world, this work will be of great interest to students and scholars of critical international relations, postcolonial theory, and political theory.

This classic work, first published in France in 1955, profoundly influenced the generation of scholars and activists at the forefront of liberation struggles in Africa, Latin America, and the Caribbean. Nearly twenty years later, when published for the first time in English, Discourse on Colonialism inspired a new generation engaged in the Civil Rights, Black Power, and anti-war movements and has sold more than 75,000 copies to date.