At the turn from our bedroom into the hallway, there is an old, full-length mirror in a wooden frame. I can't help but catch a glimpse of myself as I pass. Turning fully toward the glass, I consider what I see. This reflected version of myself, wet, shaking, rumpled, pinched, and slightly stooped, would be alarming were it not for the self-satisfied expression pasted across my face. I would ask the obvious question, "What are you smiling about?" but I already know the answer: "It just gets better from here." There are many words to describe Michael J. Fox: Actor. Husband. Father. Activist. But readers of Always Looking Up will soon add another to the list: Optimist. Michael writes about the hard-won perspective that helped him see challenges as opportunities. Instead of building walls around himself, he developed a personal policy of engagement and discovery: an emotional, psychological, intellectual, and spiritual outlook that has served him throughout his struggle with Parkinson's disease. Michael's exit from a very demanding, very public arena offered him the time--and the inspiration--to open up new doors leading to unexpected places. One door even led him to the center of his own family, the greatest destination of all. The last ten years, which is really the stuff of this book, began with such a loss: my retirement from Spin City. I found myself struggling with a strange new dynamic: the shifting of public and private personas. I had been Mike the actor, then Mike the actor with PD. Now was I just Mike with PD Parkinson's had consumed my career and, in a sense, had become my career. But where did all of this leave Me? I had to build a new life when I was already pretty happy with the old one. Always Looking Up shares the critical themes of Michael's life: work, politics, faith, and family. The book is a journey of self-discovery and reinvention, and a testament to the consolations that protect him from the ravages of Parkinson's. With humor and wit Michael describes how he became a happier, more satisfied person by recognizing the gifts of everyday life.

A Mighty Girl's 2019 Books of the Year An inspiring look at the scientist who became "The Mother of Hubble." This empowering picture book biography tells the story of Nancy Grace Roman, the astronomer who overcame obstacles like weak eyesight and teachers who discouraged women from pursuing astronomy to lead the NASA team that built the Hubble Space Telescope. A testament to women in scientific careers and a record of an important NASA milestone.

A dazzling collection of “remarkably elegant essays” (Newsday) on art—and the companion volume to the celebrated Just Looking and Still Looking—from one of the most gifted American writers of the twentieth century. In this book, readers are treated to a collection in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.

In this posthumous collection of John Updike’s art writings, a companion volume to the acclaimed Just Looking (1989) and Still Looking (2005), readers are again treated to “remarkably elegant essays” (Newsday) in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.

Young Ken is on a journey out west; he wants to find a ranch to call his home. With the help of many people, including a young red-headed girl who captures his heart, Ken grows into a man, and learns "home" is created by family.

Always Looking Up is more than a story about growth hormone deficiency; it's a celebration of diversity, resilience, and the power of perspective. Sharing experiences that are both relatable and inspiring for children who may feel different than their peers. This book is a tender reminder for children and adults alike that the world is full of different views, and each one is special in its own way.

In 2010 fires broke out in the name of Animal Liberation bringing businesses of animal exploitation to their knees in Utah and Colorado. What was left when the smoke cleared were communiques from the self-proclaimed A.L.F Lone Wolf. After his capture the world wanted to know more behind the pseudonym. Walter Bond is the A.L.F Lone Wolf. In this collaboration of his original work, Walter captivates his audience and answers their questions with the raw truth. With stories and articles from behind bars, this book outlines what motivates true animal liberation and what inspired Walter to take action as the Animal Liberation Front.