Don Morales tells stories. He tells lots of stories. About Chimbote, the Peruvian town where he lives. About fishing, the lifeblood of the town. And about change, which is not always the same as progress. Stories about the first people to inhabit the region and stories about the people who live there now. Stories about the early peopleÕs love of the land and more recent peopleÕs destruction of it. Stories about how people used to get along with one another and stories about how things got to be so bad that the government began to murder its own citizens. Don Morales is a wise man. But he is also a sad man, mourning the loss of the past, of better times, of brotherhood. With his short, evocative storiesÑtold with simplicity and beautyÑhe pulls his readers closer to him, as if he were speaking directly to us. For the good fishermen of Tancay, life was better yesterday than it is today. It was better to live in harmony with the sea. When they lived in harmony with the natural world, there was harmony in the human world, too. With a nostalgic feel, yet reflecting PeruÕs current political instability, this is a delightful book with an important message. When the natural order is disrupted, it is not only fish that die. When nature dies, so might we all.

"This book shines a light on how changes to Peru's fishing policies and fishery management affect the lives of impoverished artisanal fisherman"--Provided by publisher.

Since 1994, the Camino del Sol series has been one of the premier vehicles for Latina/o literary voices. Launched under the auspices of Chicana/o luminary Ray Gonzalez, it quickly established itself in both the Latina/o community and the publishing world as it garnered awards for its outstanding writing. Featuring both established writers and first-time authors, Camino del Sol has published poetry and prose that convey something about the Latina/o experience—works that tap into universal truths through a distinct cultural lens. This volume celebrates fifteen years of books by bringing together some of the series’ best work, such as poetry from Francisco X. Alarcón, fiction from Christine Granados, and nonfiction from Luis Alberto Urrea. These voices echo the entire spectrum of Latina/o writing, from Chicana/o to Puerto Rican to Brazilian-American, and take in themes ranging from migration to gender. Awards bestowed upon Camino del Sol titles include the PEN/Beyond Margins Award to Richard Blanco’s Directions to the Beach of the Dead; Before Columbus Foundation American Book Awards to Diana García’s When Living Was a Labor Camp and Luis Alberto Urrea’s Nobody’s Son; International Latino Book Awards to Pat Mora’s Adobe Odes and Kathleen Alcalá’s The Desert Remembers My Name; the Premio Aztlán literary prize to Sergio Troncoso’s The Last Tortilla; and the PEN Oakland-Josephine Miles National Literary Award to Kathleen de Azevedo’s Samba Dreamers. All of these works are represented in this outstanding collection. In a short span of time, Camino del Sol has cultivated an admirable and sizeable list of distinguished contemporary authors—and even garnered the first National Book Critics Circle Award for a Chicana/o for Juan Felipe Herrera’s Half of the World in Light. Camino del Sol: Fifteen Years of Latina and Latino Writing is a benchmark for the series and a wonderful introduction to the world of Latina/o literature.

This handbook provides guidance on methods for use in fish ageing studies. Fish age, among other biological parameters, is one of the most relevant pieces of data to attain sustainable exploitation levels of fishery resources. Indeed, most analytical methods used in stock assessment require knowledge of demographic structure according to age of stocks, as well as to recruitment, growth, maturity, natural mortality, etc., which are strictly linked to information on age and age structure. The handbook was put together to deal with identified gaps – which affect both the precision and the accuracy of estimations – regarding ageing schemes, criteria and methodologies used in preparing calcified structures. It focuses on the general principles that underpin age analysis (assignment of birth date, preparation methods, aging scheme reading and identification of true and false rings). Crucially, it aims to contribute to the establishment of common analysis methods, which can enable better calibration across the diverse institutes involved, thereby improving the quality and reliability of results.

Although Antonio Alday Gutierrez dreams of great success when coming to America, he accepts work as a security guard at a shopping mall and lives in a modest apartment. To soften the bleak reality of his disappointing life, Antonio invents a privileged Peruvian past to mislead his new American friends. He also sends letters to his family in Peru boasting of a thriving business and large home. This double deception leads Antonio to commit an act of desperation to conceal the drab reality of his new American life. Told in a series of flashbacks, letters, and excerpts from notebooks, this epistolary novel takes readers on a cultural and spiritual journey, touching on themes of self-identity, memory, border crossing, and death. Munoz layers the narrative with various voices, times, and places to offer a profound vision of the immigrant experience. One of the first immigrant stories told from the Peruvian point of view, this novel provides a portrait of ambition, self-deception, and acceptance.

When Pedro Salinas’s 1933 collection of love poems, La voz a ti debida, was introduced to American audiences in Willis Barnstone’s 1975 English translation, it was widely regarded as the greatest sequence of love poems written by a man or a woman, in any language, in the twentieth century. Now, seventy-five years after its publication, the reputation of the poems and its multifaceted writer remains untarnished. A portrait of their era, the poems, from a writer in exile from his native civil war–torn Spain, now reemerge in our time. In this new, facing-page bilingual edition, Barnstone has added thirty-six poems written in the form of letters from Salinas to his great love, Katherine Whitmore. Discovered years later, these poems were written during and after the composition of La voz and, though disguised as prose, have all the rhythms and sounds of lineated lyric poetry. Taken together, the poems and letters are a history, a dramatic monologue, and a crushing and inevitable ending to the story of a man consumed by his love and his art. Bolstered by an elegant foreword by Salinas’s contemporary, the poet Jorge Guillén, and a masterly afterword by the Salinas scholar, Enric Bou, that considers the poet and his legacy for twenty-first century world poetry, Love Poems by Pedro Salinas will be cause for celebration throughout the world of verse and beyond.