This volume of essays provides the first major comparative study of the role played by women’s movements and individual female activists in enabling or thwarting the transition from war to peace in Europe in the crucial years 1918 to 1923.

The Aftermath of War brings together essays written in Sartre’s most creative period, just after World War II. Sartre’s extraordinary range of engagement is manifest, with writings on post-war America, the social impact of war in Europe, contemporary philosophy, race, and avant garde art. Carefully structured into sections, the essays range across Sartre’s reflections on collaboration, resistance and liberation in post-war Europe, his thoughts and observations after his extended trip to the USA in 1945, an examination of the failings of philosophical materialism, his analysis of the new revolutionary poetry of ‘negritude’, and his meditations on the visual arts, with essays on the work of Giacometti and Calder, both of whom Sartre knew well.

The stories of what happened after the shooting stopped and the process of burying bodies in the wake of Civil War carnage and chaos. The clash of armies in the American Civil War left hundreds of thousands of men dead, wounded, or permanently damaged. Skirmishes and battles could result in casualty numbers as low as one or two and as high as tens of thousands. The carnage of the battlefield left a lasting impression on those who experienced or viewed it, but in most cases the armies quickly moved on to meet again at another time and place. When the dust settled and the living armies moved on, what happened to the dead left behind? Unlike battle narratives, The Aftermath of Battle picks up the story as the battle ends. The burial of the dead was an overwhelming experience for the armies or communities forced to clean up after the destruction of battle. In the short-term action, bodies were hastily buried to avoid the stench and the horrific health concerns of massive death; in the long-term, families struggled to reclaim loved ones and properly reinter them in established cemeteries. Visitors to a battlefield often wonder what happened to the dead once the battle was over. This compelling, easy-to-read overview, enhanced with extensive photos and illustrations, provides a look at the aftermath of battle and the process of burying the Civil War dead.

The Pacific War is an umbrella term that refers collectively to a disparate set of wars, however, this book presents a strong case for considering this assemblage of conflicts as a collective, singular war. It highlights the genuine thematic commonalities in the legacies of war that cohere across the Asia-Pacific and shows how the wars, both individually and collectively, wrought dramatic change to the geo-political makeup of the region. This book discusses the cultural, political and social implications of the Pacific War and engages with debates over the war’s impact, legacies, and continuing cultural resonances. Crucially, it examines the meanings and significance of the Second World War from a truly international perspective and the contributors present fascinating case studies that highlight the myriad of localised idiosyncrasies in how the Pacific War has been remembered and deployed in political contexts. The chapters trace the shared legacy that the individual wars had on demographics, culture and mobility across the Asia Pacific, and demonstrate how in the aftermath of the war political borders were transformed and new nation states emerged. The book also considers racial and sexual tensions which accompanied the arrival of both Allied and Axis personnel and their long lasting consequences, as well as the impact returning veterans and the war crime trials that followed the conflict had on societies in the region. In doing so, it succeeds in illuminating the events and issues that unfolded in the weeks, months, and indeed decades after the war. This interdisciplinary volume examines the aftermaths and legacies of war for individuals, communities, and institutions across South, Southeast, and East Asia, Oceania, and the Pacific world. As such, it will be welcomed by students and scholars of Asian history, modern history and cultural history, as well as by those interested in issues of memory and commemoration.

In After War Zoë H. Wool explores how the American soldiers most severely injured in the Iraq and Afghanistan wars struggle to build some kind of ordinary life while recovering at Walter Reed Army Medical Center from grievous injuries like lost limbs and traumatic brain injury. Between 2007 and 2008, Wool spent time with many of these mostly male soldiers and their families and loved ones in an effort to understand what it's like to be blown up and then pulled toward an ideal and ordinary civilian life in a place where the possibilities of such a life are called into question. Contextualizing these soldiers within a broader political and moral framework, Wool considers the soldier body as a historically, politically, and morally laden national icon of normative masculinity. She shows how injury, disability, and the reality of soldiers' experiences and lives unsettle this icon and disrupt the all-too-common narrative of the heroic wounded veteran as the embodiment of patriotic self-sacrifice. For these soldiers, the uncanny ordinariness of seemingly extraordinary everyday circumstances and practices at Walter Reed create a reality that will never be normal.

The best-selling author of The War in 2020 imagines a post-apocalyptic war launched by America in retaliation against Islamic extremists who have used nuclear weapons to destroy Los Angeles, Israel and parts of Europe, a battle that is complicated by anti-Muslim Christian zealots. Reprint. A best-selling novel.