Mehl offers this heart-to-heart talk that every father desires to have with a son or daughter who is about to the nest. Pastor Mehl offers godly, biblical counsel on issues of faith and integrity.

Poetry. AFTER WORDS, like First Words (Red Dragonfly Press, 2010), is both memoir and elegy, but the losses are more apparent in this volume, as the author knowingly celebrates lives that have ended and things that have nearly disappeared. The deaths of a sister, of beloved uncles, aunts, and grandparents happen in a world where the old homesteads are divided to build highways and new houses—and yet telling what it was like to live on one of those farms, to be caught in those ancient chores and rhythms, makes them lasting and beautiful.

Nine contributors tackle questions about the nature of memory and forgiveness after the Holocaust. This book - created out of shared concerns about forgiveness, reconciliation, and justice, and out of a desire to investigate differences between religious traditions - represents an effort to spark meaningful dialogue between Jews and Christians and to encourage others to participate in similar inter- and intrafaith inquiries.

Books of speeches are rarely published as a compendium of work by one person. After Words is unique in Australian publishing by virtue of its scale and range of subjects, and that all the speeches are the work of one eye and one mind: former Prime Minister Paul Keating. Each speech has been conceptualised, contextualised and crafted by Paul Keating. Subject to subject, idea to idea, the speeches are related in a wider construct, which is the way Paul Keating has viewed and thought about the world. The speeches reveal the breadth and depth of his interests - be they cultural, historical, or policy - focused - dealing with subjects as broad as international relations, economic policy and politics. Individual chapters range from a discussion of Jorn Utzon's Opera House through to the redesign of Berlin, the history of native title, the challenge of Asia, the role of the monarchy, to the shape of Gustav Mahler's Symphony No. 2, and more. After Words contains an analytic commentary on Australia's recent social and economic repositioning, in the minds of many, by its principal architect. The speeches, more often than not, go beyond observations, as Paul Keating sketches out new vistas and points to new directions. For those interested in matters that go to the future of Australia and the world, After Words presents, unmediated, a panoply of issues which the policy mind and writing style of Paul Keating has sculpted into a recognisable landscape.

The essays in this collection were written as reviews, mainly for The New York Review of Books and The New Yorker, on books by or about Alexander Pope, Vincent van Gogh, Thomas Mann, Virginia Woolf, Oscar Wilde, and A. E. Housman, or as introductions to editions of the classical Greek writers, the Protestant mystics, Shakespeare, Goethe, Kierkegaard, Tennyson, Grimm and Andersen, Poe, G. K. Chesterton, Paul Valéry, and others. Throughout, these prose pieces reveal the same wit and intelligence--as well as the vision--that sparked the brilliance of Auden's poetry.

Why is it that so many efforts by liberals to lift the black underclass not only fail, but often harm the intended beneficiaries? In Please Stop Helping Us, Jason L. Riley examines how well-intentioned welfare programs are in fact holding black Americans back. Minimum-wage laws may lift earnings for people who are already employed, but they price a disproportionate number of blacks out of the labor force. Affirmative action in higher education is intended to address past discrimination, but the result is fewer black college graduates than would otherwise exist. And so it goes with everything from soft-on-crime laws, which make black neighborhoods more dangerous, to policies that limit school choice out of a mistaken belief that charter schools and voucher programs harm the traditional public schools that most low-income students attend. In theory these efforts are intended to help the poor—and poor minorities in particular. In practice they become massive barriers to moving forward. Please Stop Helping Us lays bare these counterproductive results. People of goodwill want to see more black socioeconomic advancement, but in too many instances the current methods and approaches aren’t working. Acknowledging this is an important first step.