Fivedolls and 32 detailed costumes re-create clothing worn by the President, Mary Todd Lincoln, andthree sons. Frock coats, stovepipe hats, union suits, evening gowns, morning suits, and much more."

Recapture the flavor and drama of American life in 1860 with a family of 9 paper dolls and their 36 authentic costumes. Formal and everyday attire includes hoop skirts and off-the-shoulder dresses for the ladies and military uniforms, cravats, and waistcoats for the gentlemen. "Very detailed, and quite lovely to look at." — The Civil War News.

Six different dolls representing President and his wife at three different ages; 29 outfits, plus costumed groups of Roosevelt children and grandchildren. Descriptive notes.

lively southern belles, one a bride, each with 5 elegant ensembles. 16 plates.

From the studio of the world famous theatrical and fashion designer Erte come these fabulous designs and the six sophisticated fashion paper dolls who were made to wear them. Never before has so famous a designer fashioned complete wardrobes for a book of paper dolls. The gowns, coats, hats and accessories for every season are striking and elegant and come complete with tassels, long trains, fur muffs, capes, sashes, eccentric pockets and other extravagant flourishes - all the well-known trademarks of Erte, rendered in full color according to his specific instructions. Each doll has her own wardrobe, with 43 costumes in all. Cut out the dolls and all their outfits and you not only have a panorama of costume design of the early 20th century, but a valuable collection of the works of one of the world's foremost designers.

Sojourner Truth, Mary McLeod Bethune, Zora Neale Hurston, Althea Gibson, Rosa Parks, Leontyne Price, Maya Angelou, Shirley Chisholm, 8 more.

Her name was Maria do Carmo Miranda Da Cunha, but to millions around the world she was known as the "Brazilian Bombshell" ... the very essence of Latin fun, verve and vitality. From her first American film appearance in a Betty Grable musical, "Down Argentine Way" (20th Century-Fox), 1940, to her final role with Martin and Lewis, "Scared Stiff" (Paramount), 1953, the irrepressible and irreplaceable Carmen Miranda sang and danced her way across the cinematic screen and into the hearts of an adoring public. Carmen was born in the small northern Portuguese town of Marco de Canavezes in approximately 1909. She was brought to Brazil as a young girl and it was there that she first entered show business. By 1939 she had made some four hundred recordings several Brazilian films, had become a household word throughout South America and a national idol in Brazil when she was "discovered" for the American stage. Her lively sambas, Carnival marches, unique stage presence, and highly demanding rapid-delivery numbers completely overwhelmed audiences. Hollywood immediately clamored for this four-foot, eight-inch dynamo of talent who wore three-inch platforms on her feet and an orchard on her head. Relive those exciting performances with a full-color Carmen Miranda paper doll figure and thirty-one gorgeous costumes from all fourteen American films, including: "Down Argentine Way, " 1940 "Week-End in Havana," 1941 "The Gang's All Here," 1943 "Greenwich Village, " 1944 "Doll Face, " 1945/6 "Copacabana," 1947 "Nancy Goes to Rio," 1948/50 "That Night in Rio," 1941 "Springtime in the Rockies," 1942 "Four Jills in a Jeep," 1943/4 "Something for the Boys ," 1944/5 "If I'm Lucky," 1946 "A Date withJudy," 1948 "Scared Stiff," 1953For film historians, nostalgia enthusiasts, or for a generation that has yet to discover the sheer joy of Carmen Miranda, noted artist Tom Tierney has accurately captured an extraordinary and unforgettable performer in all her mirthful and exotic splendor.