How is it that, half a century after Brown v. Board of Education, educational opportunities remain so unequal for black and white students, not to mention poor and wealthy ones? In his important new book, Five Miles Away, A World Apart, James E. Ryan answers this question by tracing the fortunes of two schools in Richmond, Virginia--one in the city and the other in the suburbs. Ryan shows how court rulings in the 1970s, limiting the scope of desegregation, laid the groundwork for the sharp disparities between urban and suburban public schools that persist to this day. The Supreme Court, in accord with the wishes of the Nixon administration, allowed the suburbs to lock nonresidents out of their school systems. City schools, whose student bodies were becoming increasingly poor and black, simply received more funding, a measure that has proven largely ineffective, while the independence (and superiority) of suburban schools remained sacrosanct. Weaving together court opinions, social science research, and compelling interviews with students, teachers, and principals, Ryan explains why all the major education reforms since the 1970s--including school finance litigation, school choice, and the No Child Left Behind Act--have failed to bridge the gap between urban and suburban schools and have unintentionally entrenched segregation by race and class. As long as that segregation continues, Ryan forcefully argues, so too will educational inequality. Ryan closes by suggesting innovative ways to promote school integration, which would take advantage of unprecedented demographic shifts and an embrace of diversity among young adults. Exhaustively researched and elegantly written by one of the nation's leading education law scholars, Five Miles Away, A World Apart ties together, like no other book, a half-century's worth of education law and politics into a coherent, if disturbing, whole. It will be of interest to anyone who has ever wondered why our schools are so unequal and whether there is anything to be done about it.

“Life in a women’s prison is full of surprises,” writes Cristina Rathbone in her landmark account of life at MCI-Framingham. And so it is. After two intense court battles with prison officials, Rathbone gained unprecedented access to the otherwise invisible women of the oldest running women’s prison in America. The picture that emerges is both astounding and enraging. Women reveal the agonies of separation from family, and the prevalence of depression, and of sexual predation, and institutional malaise behind bars. But they also share their more personal hopes and concerns. There is horror in prison for sure, but Rathbone insists there is also humor and romance and downright bloody-mindedness. Getting beyond the political to the personal, A World Apart is both a triumph of empathy and a searing indictment of a system that has overlooked the plight of women in prison for far too long. At the center of the book is Denise, a mother serving five years for a first-time, nonviolent drug offense. Denise’s son is nine and obsessed with Beanie Babies when she first arrives in prison. He is fourteen and in prison himself by the time she is finally released. As Denise struggles to reconcile life in prison with the realities of her son’s excessive freedom on the outside, we meet women like Julie, who gets through her time by distracting herself with flirtatious, often salacious relationships with male correctional officers; Louise, who keeps herself going by selling makeup and personalized food packages on the prison black market; Chris, whose mental illness leads her to kill herself in prison; and Susan, who, after thirteen years of intermittent incarceration, has come to think of MCI-Framingham as home. Fearlessly truthful and revelatory, A World Apart is a major work of investigative journalism and social justice.

First published in 1999, Worlds Apart examined the nature of poverty through the stories of real people in three remote rural areas of the United States: New England, Appalachia, and the Mississippi Delta. In this new edition, Duncan returns to her original research, interviewing some of the same people as well as some new key informants. Duncan provides powerful new insights into the dynamics of poverty, politics, and community change. "Duncan, through in-depth investigation and interviews, concludes that only a strong civic culture, a sense among citizens of community and the need to serve that community, can truly address poverty. . . . Moving and troubling. Duncan has created a remarkable study of the persistent patterns of poverty and power."—Kirkus Reviews "The descriptions of rural poverty in Worlds Apart are interesting and read almost like a novel."—Choice

“It grew dark and a mist spread over the countryside like a curtain. We were at the Bohemian border. Customs control, shouting, the din of the station, and finally the train moved on with a monotonous drone. ‘It was right here that I met Teresa Elinson,’ Marta said, in the corner of the cozy compartment. I replied: ‘Who is Teresa Elinson? I don’t remember you ever mentioning her.’ ‘No, never. It was a kind of adventure. That time too the train hurtled into the dark, where red sparks flew and lights flashed, scattering in the mist...’” Thus begins the story by Růžena Jesenská that gives this book its name. In this anthology, Kathleen Hayes has selected and translated eight stories by Czech female authors at the turn of the 19th and 20th century: a period of female political emancipation and impressive literary development. All of the writers included in the present volume were recognized in their own day and constitute a cross-section of the literary styles of the period. Tilschová’s “A Sad Time” is written in a Naturalist style; Jesenská’s “A World Apart” presents themes and motifs that appealed to the Decadents. Malířová’s “The Sylph” is both diaristic and satirical, while Svobodová’s ironical “A Great Passion”, with its rural setting and folklore motifs, reminds one of the writings of Karel Jaromír Erben. Preissová’s short story may be read as a celebration of folk culture. Benešová’s “Friends” is interesting for its psychological presentation of a child’s point of view and its implicit criticism of anti-Semitism. The book is accompanied by the biographies of each author and an introduction by Kathleen Hayes.

**All four books in The World Apart Series plus prequel AND Exclusive Bonus Content!**Can two broken souls fix a world that's been shattered? Clark and Adelaide think their lives can't get any worse. Until they meet each other. Adelaide - heiress to the wealthiest man in the Ceithren Empire - has felt a void since her sister's death. Just as she's resigned herself to the empty life her father chose for her, a relic from a world that shouldn't exist plunges her into chaos. Clark - son of the greatest terrorist the empire has ever known - is still reeling from his father's death. Since then, his life has boiled down to two things: his brothers and his next mission. When his mission to bring back a mystical artifact goes awry, he's forced to choose between getting the job done and saving the life of a spoiled socialite. But Clark isn't the only one after the artifact. He and Adelaide must work together to survive? if only they can manage to avoid killing each other before their enemies have the chance.The World Apart Series will make you question everything you thought you knew about life, humanity, and the choices we make for the people we love.

With her life mapped out since birth, Princess Evangelina Drakos – known for her dramatic flair – plans a scandal designed to deter her potential suitors. Hired for Eva's security, bodyguard Makhail Nabatov never makes a mistake, but the impulsive princess pushes his resolve to the limits. It's not long, however, before the beautiful Eva entices him to leave his bonds of duty and honour behind. Makhail knows he must deny his desire – for Eva is promised to another man. But when their chemistry reaches fever pitch, there is only one thing he can do...

Gustaw Herling's A World Apart is one of the most important books about soviet camps and communist ideology in the Stalinist period, but it was relatively unknown till Solzhenitsyn's The Gulag Archipelago in the 1970s. In this first monograph on Herling's fascinating life, Bolecki discusses hitherto unknown documents from the writer's archive.