Eliza Jane lived a life which became a topic of public interest years after her death. Were it not for her brother Almanzo's writer-wife Laura Ingalls Wilder, Eliza Jane's name would have joined the ranks of "hidden women"--Who capably made homes, reared children adn contributed to their localities in the latter part of the last century. Since her status as a supporting character in the "Little House" classics came long after she was gone, the records of her life had simply become family keepsakes -- not historical documents -- and memories garnered by her family from Eliza Jane herself were sketchy and hardly anticipated as future facts surrounding a literary character.

The Little House books tell the story of a little pioneer girl and her family as they travled by covered wagon across the Midwest. Laura Ingalls Wilder's classic books, illustrated with Garth Williams' timeless artwork, have been cherished by millions of readers ever since they were first published over sixity years ago. It’s a fond good-bye to the Big Woods as Laura and her family pack up the covered wagon and begin their journey westward to the prairie in this latest addition to the best-selling My First Little House Books series. Renée Graef’s enchanting full-color illustrations, inspired by Garth Williams’s classic artwork, bring Laura and her family lovingly to life in this seventh title in the My First Little House Books series, picture books adapted from Laura Ingalls Wilder’s beloved storybooks.

Laura Ingalls Wilder's nine original Little House books have been read and cherished by millions of readers. Gentle adaptations of these celebrated stories have been gathered together here in a brand new series of Little House Chapter Books. With simple captivating text and Renée Graef's breath-taking artwork created in the style of Garth Williams, Little House Chapter Books are the perfect way to introduce beginning chapter book readers to the exciting world of Little House.

WINNER OF THE PULITZER PRIZE WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR The first comprehensive historical biography of Laura Ingalls Wilder, the beloved author of the Little House on the Prairie books Millions of readers of Little House on the Prairie believe they know Laura Ingalls—the pioneer girl who survived blizzards and near-starvation on the Great Plains, and the woman who wrote the famous autobiographical books. But the true saga of her life has never been fully told. Now, drawing on unpublished manuscripts, letters, diaries, and land and financial records, Caroline Fraser—the editor of the Library of America edition of the Little House series—masterfully fills in the gaps in Wilder’s biography. Revealing the grown-up story behind the most influential childhood epic of pioneer life, she also chronicles Wilder's tumultuous relationship with her journalist daughter, Rose Wilder Lane, setting the record straight regarding charges of ghostwriting that have swirled around the books. The Little House books, for all the hardships they describe, are paeans to the pioneer spirit, portraying it as triumphant against all odds. But Wilder’s real life was harder and grittier than that, a story of relentless struggle, rootlessness, and poverty. It was only in her sixties, after losing nearly everything in the Great Depression, that she turned to children’s books, recasting her hardscrabble childhood as a celebratory vision of homesteading—and achieving fame and fortune in the process, in one of the most astonishing rags-to-riches episodes in American letters. Spanning nearly a century of epochal change, from the Indian Wars to the Dust Bowl, Wilder’s dramatic life provides a unique perspective on American history and our national mythology of self-reliance. With fresh insights and new discoveries, Prairie Fires reveals the complex woman whose classic stories grip us to this day.

A pioneer pilgrimage, a tribute to Laura Ingalls Wilder, and a hilarious account of butter-churning obsession will make this a sure favorite.

Beyond their status as classic children’s stories, Laura Ingalls Wilder’s Little House books play a significant role in American culture that most people cannot begin to appreciate. Millions of children have sampled the books in school; played out the roles of Laura and Mary; or visited Wilder homesites with their parents, who may be fans themselves. Yet, as Anita Clair Fellman shows, there is even more to this magical series with its clear emotional appeal: a covert political message that made many readers comfortable with the resurgence of conservatism in the Reagan years and beyond. In Little House, Long Shadow, a leading Wilder scholar offers a fresh interpretation of the Little House books that examines how this beloved body of children’s literature found its way into many facets of our culture and consciousness—even influencing the responsiveness of Americans to particular political views. Because both Wilder and her daughter, Rose Wilder Lane, opposed the New Deal programs being implemented during the period in which they wrote, their books reflect their use of family history as an argument against the state’s protection of individuals from economic uncertainty. Their writing emphasized the isolation of the Ingalls family and the family’s resilience in the face of crises and consistently equated self-sufficiency with family acceptance, security, and warmth. Fellman argues that the popularity of these books—abetted by Lane’s overtly libertarian views—helped lay the groundwork for a negative response to big government and a positive view of political individualism, contributing to the acceptance of contemporary conservatism while perpetuating a mythic West. Beyond tracing the emergence of this influence in the relationship between Wilder and her daughter, Fellman explores the continuing presence of the books—and their message—in modern cultural institutions from classrooms to tourism, newspaper editorials to Internet message boards. Little House, Long Shadow shows how ostensibly apolitical artifacts of popular culture can help explain shifts in political assumptions. It is a pioneering look at the dissemination of books in our culture that expands the discussion of recent political transformations—and suggests that sources other than political rhetoric have contributed to Americans’ renewed appreciation of individualist ideals.

By the mid-1930s Laura Ingalls Wilder's journeys had taken her from Wisconsin to South Dakota, from Missouri to California and back again. She had traveled by wagon, by train, and by car; alone, with her husband, and with her daughter. She had watched the times, seasons, and people change over six decades of traveling. But one thing remained the same: Laura always kept a pencil and paper with her to jot down notes about her experiences. For the first time ever, writings from three of Laura's most memorable trips have been collected in one special omnibus edition featuring historical black-and-white photographs. On the Way Home recounts her 1894 move with Rose and Almanzo from South Dakota to their new homestead in Mansfield, Missouri. West From Home consists of letters from Laura to Almanzo as she traveled to California in 1915 to visit Rose. And previously unpublished materials from Laura and Almanzo's car trip in 1931 now tell the story of their first journey back to DeSmet, the town where Laura grew up, where she met Almanzo, and where they fell in love. Laura's candid sense of humor and keen eye for observation shine through in this wonderful collection of writings about the many places Laura Ingalls Wilder called home.