From Joseph Conrad through D.H. Lawrence, James Joyce, E.M. Forster, Virginia Woolf, to Aldous Huxley, this great Guide includes a short biography of each writer as well as a full discussion of his or her major novels. Among the works treated are "Nostromo" and "Lord Jim"; "Sons and Lovers" and "Women in Love"; "Ulysses" and "Finnegan's Wake"; "Passage to India" and "Room with a View"; "Mrs. Dalloway" and "To the Lighthouse"; "Point Counterpoint" and "Antic Hay."

Excerpt from A Readers Guide to Great Twentieth-Century English Novels In varying ways, Conrad's emphasis on the individual artist's con scious mind as guide to his artistic conceptions - an anti-traditionalist position and a throwback to the philosophy of the 1890's, the time of Conrad's apprenticeship - found its counterpart in the statements of Huxley, Virginia Woolf, and Joyce. Conrad was following, in his way, Flaubert's attempt to make the novel a major artistic form, not merely a type of entertainment. Concern with form, a major French preoccu pation, did not significantly begin in England, we remember, until George Eliot, Meredith, and Conrad turned to the novel, and only the latter practiced what he theorized. After Conrad, we find several state ments of novelistic theory incorporated into the novel itself: as exam ples, Stephen's sermon on art in A Portrait, the remarks in Philip Quarles'journal in Point Counter Point, and, indirectly, the tense discussions between Loerke, the devilish creator, and Ursula and Gud run Brangwen near the end of Women in Love. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The novel is the major literary phenomenon of the twentieth century, and its development in Britain since 1900 has reflected the tumultuous changes that have characterized modern society. Randall Stevenson now presents an accessible and authoritative guide to the work of th ecentury's leading novelists as well as many of its lesser known writers. In this stimulating and wide-ranging account, Stevenson locates the work of individual writers, from Conrad to Jeanette Winterson, within an evolving literary history and the wider context of social, political, and cultural change. Included are British writers working in exile and writers with origins elsewhere, such as James and Rushdie, who have chosen to work in Britain. Women novelists are accorded their rightful prominence. This clear and lively survey deals with a broad range of movements, including modernism and postmodernism, as well as the influence of other world literatures and the impact of two world wars. An ideal text, this is a 'guide' in the best sense—concise and lucid, well-informed and perceptive. Readers new to the field will appreciate Stevenson's clear direction, while the experienced will be delighted by newly revealed connections and fresh perspectives.

Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.