Six years before, Casey had adored one of her father's workmen, Gil Blake. But realising she would just be another notch on his bedhead she'd threatened to get him sacked. Now, with her father about to go bankrupt, he's back and she still loves him. But Gil, clearly no longer a builder's labourer, is still angry and wants revenge: Gil whistles and Casey is obliged to dance to his tune. And the moment she stops, her parents will suffer...

For LGBTQ people and their supporters, Pride events are an opportunity to honor the past, protest injustice, and celebrate a diverse and vibrant community. The high point of Pride, the Pride Parade, is spectacular and colorful. But there is a whole lot more to Pride than rainbow flags and amazing outfits. How did Pride come to be? And what does Pride mean to the people who celebrate it?

In 1898, St. Philip’s Normal and Industrial School opened its doors in San Antonio, offering sewing classes for black girls. It was the inaugural effort in a program, founded by the West Texas diocese of the Episcopal Church, to educate and train former slaves and other African Americans in that city. Originally tied to St. Philip’s Church, about three miles east of the downtown center, the school grew to offer high school and then junior college courses and eventually affiliated with the San Antonio Independent School District and San Antonio College. One of the few remaining historically black junior colleges in the country, St. Philip’s, whose student body is no longer predominantly black, has also been designated a Hispanic-serving institution, one of few schools to bear both designations. Known by many as “the school that love built,” St. Philip’s College claimed in its 1932 catalog, “There is perhaps as much romance surrounding the development of St. Philip’s Junior College as there is of the ‘Alamo City’ in which it is located.” That love story, also containing dominant strains of sacrifice, scarcity, creativity, determination, and pride, finds its full expression in this history by Marie Pannell Thurston. Based on archival research and extensive interviews with current and former alumni, faculty, and friends, St. Philip’s College presents the heartwarming and inspiring record of a school, the community that nurtures it, and the collective pride in what the institution and its graduates have accomplished.

THE STORY: The brilliant, promising Emma Joseph proudly carries the torch of her family's Marxist tradition, devoting her life to the memory of her blacklisted grandfather. But when history reveals a shocking truth about the man himself, the entire

Winner, 2015 CSCP Symposium Book Award Moral Emotions builds upon the philosophical theory of persons begun in Phenomenology and Mysticism and marks a new stage of phenomenology. Author Anthony J. Steinbock finds personhood analyzing key emotions, called moral emotions. Moral Emotions offers a systematic account of the moral emotions, described here as pride, shame, and guilt as emotions of self-givenness; repentance, hope, and despair as emotions of possibility; and trusting, loving, and humility as emotions of otherness. The author argues these reveal basic structures of interpersonal experience. By exhibiting their own kind of cognition and evidence, the moral emotions not only help to clarify the meaning of person, they reveal novel concepts of freedom, critique, and normativity. As such, they are able to engage our contemporary social imaginaries at the impasse of modernity and postmodernity.

Christianity is simple. Love God. Love your neighbor. The rest is commentary. Simple in theory becomes much more difficult when your neighbor is a man in a dress who stinks like urine and a decaying, unwashed body. And yet, that's exactly who you find on a downtown bus: the homeless, the unsavory, the just plain weird. Drawing on the wisdom of the Desert Fathers and Mothers, this book explores one woman's complex and ambivalent interactions with the homeless. Stories about a persistent failure to acknowledge and honor the humanity of the homeless are evidence of the pervasive reality of human sin. But at the same time, there are moments of genuine kindness and humanity that stand as reminders that God brings new life from the brokenness of sin. These stories of days spent on a downtown bus move from unflinching self-reflection to a new awareness of God's presence. This is where the abstract becomes local, and where theology finally gets real.