While his troupe leader recovers from a fall, 15th century actor Joliffe takes a temporary job in a hospital and investigates a series of mysterious patient deaths that may have been failed attempts on the life a cantankerous, hypochondriac widow.

In harvest time of 1436, Joliffe's troupe leader falls, leaving his players to find what work they can while he recovers. Joliffe finds work in a hospital where he unfortunately has to deal with Mistress Cisily Thorncoffyn, a widow expecting to be endlessly waited on for her mostly imaginary ailments. When patients begin mysteriously dying, Mistress Thorncoffyn loudly insists that someone is trying to kill her. With so many suspects wishing her ill, if not outright dead, Joliffe has no choice but to find out whose anger has turned to murderous hatred and whether-having missed their target-they mean to try again...

At the behest of his powerful patron, Joliffe journeys to France to act as a servant to the widowed duchess Jacquetta of Bedford?while actually training in spycraft. But when a member of the duchess?s household is murdered, Joliffe learns just how dangerous secrets can be...

In the spring of 1435, Joliffe and his fellow players are sent to the village of Ashewell not only to stage plays, but to uncover some dark secrets about the town’s three wealthy families: the Ashewells, the Medcotes, and the Gosyns. A rivalry has been brewing among the families, entangling the entire town in a web of seduction, deception, and blackmail. Matters go beyond the breaking point when someone turns to murder to settle their grievances. And if one murder is good, why not another? If all the world is a stage, then it’s up to Joliffe to bring the curtain down on this tragedy—before another man takes his final curtain call...

An analysis of Islamist cultural politics through the ethnography of a thriving, grassroots women's piety movement in the mosques of Cairo, Egypt. Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. The author's exposition of these practices challenges this assumption by showing how the ethical and the political are linked within the context of such movements.

Who doesn't want a liberated life? Jesus offers us liberation as we grow in a Christian spiritual life. But first we need to liberate our concept of Christian Spirituality from ideas that relegate it to Church on Sunday, new age self help, devotional or ascetical practices, or fundamentalist aggression. Traditionally, Christian spirituality liberates Jesus' disciples from personal sin and helps them to challenge sin's social consequences so that once liberated, they will work to liberate others. Christian spirituality (living the Gospel) brings good news for the poor, liberty for the captives, recovery of sight for the blind, and freedom for the oppressed. This is what Jesus came to do, and this is what we as his disciples are called to do as we live our Christian callings in the world. Whether we are at home, work, or play we are called to be Christian. Beyond Piety invites readers to grow in their understanding of what it means to be a disciple of Christ. More than a book on Franciscan or Hispanic Spirituality, this book is about the Christian Spirituality all Christians are called to live. It is about our human and Christian identity and the God we believe in. It is about getting to know the Word of God and letting that Word get to know us. It is about worship and religious devotion and moving beyond piety to Christian action. It is about the call to justice and liberation.

When his band of traveling players are taken in by a patron, Joliffe and company find that murder has taken their place in the spotlight--and it's up to them to catch a killer in the act.