This open access book examines how the form of the list features as a tool for meaning-making in the genre of detective fiction from the nineteenth to the twenty-first century. The book analyzes how both readers and detectives rely on listing as an ordering and structuring tool, and highlights the crucial role that lists assume in the reading process. It extends the boundaries of an emerging field dedicated to the study of lists in literature and caters to a newly revived interest in form and New Formalist approaches in narratological research. The central aim of this book is to show how detective fiction makes use of lists in order to frame various conceptions of knowledge. The frames created by these lists are crucial to decoding the texts, and they can be used to demonstrate how readers can be engaged in the act of detection or manipulated into accepting certain propositions in the text.

This book provides a concise introduction to lists in literature from the early modern period to the twenty-first century. Tracing the changing functions of the literary list across time, it offers a broad range of case studies which situate selected enumerations in their respective contexts and demonstrate the versatility and creative potential of the list form. Starting with a review of previous research on the literary list, the book discusses four main constellations of enumeration: series and the great chain of being; itemization and enumerative realism; ‘letteracettera’ and experimental list-making; ‘white noise’ and creative exploits of enumeration between formal playfulness and existential exploration. The epilogue offers an analytical toolkit for the study of literary lists based on rhetorical theory.

What a Carve Up! - a hilarious 1980s political satire by Jonathan Coe It is the 1980s and the Winshaw family are getting richer and crueller by the year: Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators. But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . . This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize 'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times 'A riveting social satire on the chattering and all-powerful upper classes' Time Out 'Big, hilarious, intricate, furious, moving' Guardian Jonathan Coe's novels are filled with biting social commentary, moving and astute observations of life and hilarious set pieces that have made him one of the most popular writers of his generation. His other titles, The Accidental Woman, A Touch of Love, The Rotters' Club (winner of the Everyman Wodehouse prize), The Closed Circle, The Terrible Privacy of Maxwell Sim, The House of Sleep (winner of the1998 Prix Médicis Étranger), and The Rain Before it Falls, are all available in Penguin paperback.

Dr Pyrhönen's innovative study is the first comprehensive overview and analysis of the academic reception of the eternally popular detective story; the discussion, using both a chronological and thematic approach, considers the changing views, and methods of analysis, of this fascinating genre. The author begins by tracing the development of detective fiction criticism from its beginnings, often written by its best authors, such as Dorothy L. Sayers; goes on to examine the structuralists' and narratologists' interest in the genre as a test case for various theories of reading; and finally outlines the current debates about the ideological underpinnings of detective fiction and its relationship to 'serious' literature. This book will be of interest not only to students and scholars of literature, but also to the countless devotees of the detective story. DR PYRHÖNENteaches literature at the University of Helsinki in the Department of Comparative Literature and Theatre Research.

“A stellar cast of award-winning Nigerian authors . . . a must-read for crime lovers looking for something different.”—Brittle Paper In Akashic Books’s acclaimed series of original noir anthologies, each book comprises all new stories set in a distinct neighborhood or location within the respective city. Now, West Africa enters the Noir Series arena, meticulously edited by one of Nigeria’s best-known authors. In Lagos Noir, the stories are set in “a city of more than 21 million and an amazing amalgam of wealth, poverty, corruption, humor, bravery, and tragedy. Abani and a dozen other contributors tell stories that are both unique to Lagos and universal in their humanity . . . This entry stands as one of the strongest recent additions to Akashic’s popular noir series” (Publishers Weekly, starred review, pick of the week). The anthology includes stories by Chris Abani, Nnedi Okorafor, E.C. Osondu, Jude Dibia, Chika Unigwe, A. Igoni Barrett, Sarah Ladipo Manyika, Adebola Rayo, Onyinye Ihezukwu, Uche Okonkwo, Wale Lawal, ’Pemi Aguda, and Leye Adenle. “The beauty of this book, which contains 13 stories from Nigerian writers, is that it serves as a travelogue, too.”—Bloomberg, “The Darkest Summer Reading List for Those Bright, Beachy Days” “With writers like Igoni Barrett, Leye Adenle, and E.C. Osondu contributing, Lagos Noir offers wildly different perspectives on both the city itself and the state of noir fiction. This book is almost like a world in itself, one that you’ll want to dive back into and get lost in again and again.”—CrimeReads, “One of the 10 Best Crime Anthologies of 2018”

The contributors to this volume all pay tribute to, and seek to account for, the astonishing durability of the detective story as a narrative genre. The essays range generously, taking a variety of theoretical approaches and including detective fiction in languages other than English, but particular attention is paid to the `Golden Age' of English detective story writing and to the `hard-boiled' American version on the genre. This is a collection that will appeal to the scholar and to the devotee alike, to all those, in fact, who can never resist the lure of finding out whodunnit.

On the 50th anniversary of the publication of his first novel, Peter Lovesey, Mystery Writers of America Grand Master and titan of the British detective novel, returns to the subject of his very first mystery--running. Through a particularly tragic series of events, couch potato Maeve Kelly, an elementary school teacher whose mother always assured her "curvy" girls shouldn't waste their time trying to be fit, has been forced to sign up for the Other Half, Bath's springtime half-marathon. The training is brutal, but she must disprove her mother and collect pledges for her aunt's beloved charity. What Maeve doesn't know is just how brutal some of the other runners are. As race day draws closer, an undocumented Albanian man named Spiro makes a run for freedom on the other side of town, escaping the chain gang that has held him hostage and its murderous foreman, who is known to his charges as The Finisher. The Finisher has killed for disobedience before, and Spiro knows there's a target on his back as he tries to lose himself in the genteel medieval city of Bath. Meanwhile Detective Peter Diamond is tasked with crowd control on the raucous day of the race--and catches sight of a violent criminal he put away a decade ago, and who very much seems to be up to his old tricks now that he is paroled. Diamond's hackles are already up when he learns that one of the runners never crossed the finish line--disappeared without a trace. Was Diamond a spectator to the prelude to a murder?