A Classic Family Saga from Sunday Times Bestseller Dilly Court Phoebe Giamatti lives with her Italian family in the heart of London's East End. With her father killed by a notorious gang years earlier, Phoebe is now responsible for keeping her loved ones out of trouble. But just as the Giamatti family are about to go to Italy for the winter, Phoebe discovers a secret about her mother that could tear them all apart. Determined not to betray her mother's trust, Phoebe faces an impossible decision. Can she confront a dangerous past in order to protect her family's future?

AinÕt No Trust explores issues of trust and distrust among low-income women in the U.S.Ñat work, around childcare, in their relationships, and with caseworkersÑand presents richly detailed evidence from in-depth interviews about our welfare system and why itÕs failing the very people it is designed to help. By comparing low-income mothersÕ experiences before and after welfare reform, Judith A. Levine probes womenÕs struggles to gain or keep jobs while they simultaneously care for their children, often as single mothers. By offering a new way to understand how structural factors impact the daily experiences of poor women, AinÕt No Trust highlights the pervasiveness of distrust in their lives, uncovering its hidden sources and documenting its most corrosive and paralyzing effects. LevineÕs critique and conclusions hold powerful implications for scholars and policymakers alike. Ê

In this fully updated 8th edition of Nursing Mother's Companion, Kathleen Huggins equips breastfeeding mothers with the tools they need to overcome difficulties and nurse their babies successfully.

This seemingly simple but truly complex question" True or false: "My mother was a good woman." This item has appeared in one form or another on countless psychological inventories over the years. The culturally-prescribed answer is, of course, "True." Even the people most abused by their mothers tend to rise to defend "Mom." The rationale varies: "She was basically good"; "She was never cut out to have children"; "She simply had no idea how to be there for me"; "Perhaps if she hadn't had me..."; "Maybe it was I who turned her into a bad mother?" As early as 1954 in his work with abused children, psychoanalyst Ronald Fairbairn observed that a child acknowledging to herself or anyone else that she had a bad mother or that her mother was a bad woman was tantamount to admitting that the child was, by association, a bad person --and so it becomes an act of self-preservation to hold that one's mopther is good, never mind all evidence to the contrary. In Horrible Mothers, pshychotherapist Alice Thie Vieira takes us into the world of individuals who have endured devastating damage at the hands of society's most sacrosanst icon: the Mother. Vieira does so with four chief aims: 1. to label abuse so as to be able to acknowledge it; 2. to recognize that the sanctification of motherhood is a burden that society has foisted upon them; 3. to help mothers understand how their mothering may have hurt their children; 4. to help victims of horrible mothering grasp the unfairness of what was done to them, to comprehend how it affected their lives, and acknowledge what they have endured so as to break free from unhealthy attachments to their inadequate mothers, and thus move forward and better realize their potentiality.

A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist