Getting acquainted with local flora and fauna is the perfect way to begin to understand the wonder of nature. The natural environment of Southern Appalachia, with habitats that span the Blue Ridge to the Cumberland Plateau, is one of the most biodiverse on earth. A Literary Field Guide to Southern Appalachia—a hybrid literary and natural history anthology—showcases sixty of the many species indigenous to the region. Ecologically, culturally, and artistically, Southern Appalachia is rich in paradox and stereotype-defying complexity. Its species range from the iconic and inveterate—such as the speckled trout, pileated woodpecker, copperhead, and black bear—to the elusive and endangered—such as the American chestnut, Carolina gorge moss, chucky madtom, and lampshade spider. The anthology brings together art and science to help the reader experience this immense ecological wealth. Stunning images by seven Southern Appalachian artists and conversationally written natural history information complement contemporary poems from writers such as Ellen Bryant Voigt, Wendell Berry, Janisse Ray, Sean Hill, Rebecca Gayle Howell, Deborah A. Miranda, Ron Rash, and Mary Oliver. Their insights illuminate the wonders of the mountain South, fostering intimate connections. The guide is an invitation to get to know Appalachia in the broadest, most poetic sense.

Part natural history, part poetry, Mountains of the Heart is full of hidden gems and less traveled parts of the Appalachian Mountains Stretching almost unbroken from Alabama to Belle Isle, Newfoundland, the Appalachians are one of the oldest mountain ranges in the world. In Mountains of the Heart, renowned author and avid naturalist Scott Weidensaul shows how geology, ecology, climate, evolution, and 500 million years of history have shaped one of the continent's greatest landscapes into an ecosystem of unmatched beauty. This edition celebrates the book's 20th anniversary of publication and includes a new foreword from the author.

Winner of Weatherford Award for Best Poetry Book about Appalachia A poet acclaimed for "uncompromising, honest poems that sound like no one else" (The Rumpus) now offers considerations of the natural world and humans' place within it in ecopoetry of both ambitious reach and elegant refinement Rose McLarney has won attention as a poet of impressive insight, craft, and a "constantly questioning and enlarging vision" (Andrew Hudgins). In her third collection, Forage, she continues to weave together themes she loves: home, heritage, the South, animals, water, the environment. These intricately sequenced poems take up everything from animals' symbolic roles in art and as indicators of ecological change to how water can represent a large, troubled system or the exceptions of smaller, purer tributaries. At the confluence of these poems is a social commentary that goes beyond lamenting environmental degradation and disaster to record--and augment--the beauty of the world in which we live.

Glenna Daniels faces a midlife cul-de-sac. She bears a recent miscarriage and third divorce the way her Appalachian parents taught her to cope with tragedy—in stoic secrecy. She quits her social work position in Knoxville and runs away from home at the age of thirty-six, heading west with childhood friend, Carey, a gay professor in Atlanta. During their years in school, Glenna protected him from bullies. Now Carey is her savvy guide as she tries to heal her fractured life. Through the wilds of America Glenna grapples with the past and reconciles a way back home.

Organized as a field guide, a literary anthology filled with classic and contemporary poems and essays inspired by wildflowers—perfect for writers, artists, and botanists alike American Wildflowers: A Literary Field Guide collects poems, essays, and letters from the 1700s to the present that focus on wildflowers and their place in our culture and in the natural world. Editor Susan Barba has curated a selection of plants and texts that celebrate diversity: There are foreign-born writers writing about American plants and American writers on non-native plants. There are rural writers with deep regional knowledge and urban writers who are intimately acquainted with the nature in their neighborhoods. There are female writers, Black writers, gay writers, indigenous writers. There are botanists like William Bartram, George Washington Carver, and Robin Wall Kimmerer, and horticultural writers like Neltje Blanchan and Eleanor Perényi. There are prose pieces by Aldo Leopold, Lydia Davis, and Aimee Nezhukumatathil. And most of all, there are poems: from Walt Whitman and Emily Dickinson, William Carlos Williams and T. S. Eliot to Allen Ginsberg and Robert Creeley, Lucille Clifton and Louise Glück, Natalie Diaz and Jericho Brown. The book includes exquisite watercolors by Leanne Shapton throughout and is organized by species and botanical family—think of it as a field guide to the literary imagination.

A haunting, intimate, and beautifully-crafted collection of poems rooted in southern Appalachia that reflects on loss and remembrance—and reaches beyond the constraints of time and place Rose McLarney’s fourth collection of poems, Colorfast, reckons with fading and bleeding away, the gray of aging and the gray areas to which truths are relegated. McLarney reconsiders girlhood stories, acknowledges omissions from Southern history, and studies the silences of women’s and other voices left out of accounts of the past. Yet she does not write of only what has been lost, defying elegy with tributes to her mother while she is alive to read them, and finding vibrancy that remains in sources such as weeds, gravel, insect shells, and the flawed human body. Colorfast weaves its threads into poems that, like the women who dwell in them, are subtly strong enough to stand alone, while they also connect into a provocative conversation about heritage and the holds we can keep.