Abbate and Parker's A History of Opera is the first full new history of opera in sixty years - now in paperback in an updated second edition 'The best single volume ever written on the subject' The Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their scrupulous and provocative retelling of the history of opera, examining its development, the means by which it communicates, and its societal role. In a new revision with an expanded examination of opera as an institution in the twenty-first century this book explores the tensions that have sustained opera over 400 years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre's most popular and enduring works were almost all written in a distant European past, opera continues to transform the viewer with its enduring power.

"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.

A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism, and much more.

A historical survey of opera, from its beginnings in Florence 400 years ago, up to opera in the 1990s.

Richly textured, extravagantly colorful, and filled with larger-than-life characters, the history of opera is as mesmerizing and commanding as opera itself. And no art form benefits more from being seen from the inside out--through eye-witness accounts of singers, composers, librettists, critics, historians, patrons, satirists, impresarios, designers, performers, and others--than opera. Now, in Opera: A History in Documents, Piero Weiss presents a sweeping, vivid, and carefully researched tour of operatic history. The chronologically organized primary sources include 115 passages--private letters, portions of libretti, literary criticism, satire, and poetry--from opera's late Renaissance infancy through modern times. This first-hand testimony allows readers to experience the history of opera as eyewitnesses, offering an immediacy and validity unmatched by standard histories. Opera lovers will be transported to a Medici wedding in sixteenth century Florence, to the Haymarket Theatre for a performance of Handel's Rinaldo, to Mozart at work on Die Entfuhrung aus dem Serail, and to Bertolt Brecht's writing desk, among many other landmarks in opera's history. Weiss expertly guides readers, providing highly accessible introductions to each section that both contextualize the excerpts and position them within the broader historical narrative. In addition, Weiss offers original translations of more than half of the material in the book, many of them appearing in English for the first time. Stage settings, costumes, portraits, contemporary playbills, and other illustrations enliven the text and help to recreate the feel of the era under discussion. Perfect for opera aficionados, Opera: A History in Documents offers a uniquely exciting entree into the origins and development of one of our most enduring art forms."

This Is A New Release Of The Original 1906 Edition.