Annotation This volume surveys 200 years of Indian literature in English. Written by Indian scholars and critics, many of the 24 contributions examine the work of individual authors, such as Rabindranath Tagore, R.K. Narayan, and Salman Rushdie. Others consider a particular genre, such as post-independence poetry or drama. The volume is illustrated with b&w photographs of writers along with drawings and popular prints. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was "made Indian" by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.

The Term ýIndian English Literatureý Emphasizes Two Significant Ideas: First That This Literature Constitutes One Of The Many Streams That Join The Great Ocean Called Indian Literature, Which, Though Written In Different Languages, Has An Unmistakable Unity; And Secondly, That It Is An Inevitable Product Of The Nativization Of The English Language To Express The Indian Sensibility.

THERE is a small village on the river Madhumati. On account of its being the residence of wealthy zemindars it is regarded as a village of importance. One Chaitra afternoon the summer heat was gradually abating with the weakening of the once keen rays of the sun; a gentle breeze was blowing; it began to dry the perspiring brow of the peasant in the field and play with the moist locks of village women just risen from their siesta. It was after such a siesta that a woman of about thirty was engaged in her toilet in a humble thatched cottage. She took very little time to finish the process usually so elaborate with womankind; a dish of water, a tin-framed looking-glass three inches wide, and a comb matching it sufficed for the task. Then, a little vermilion adorned her forehead. Last of all some betel leaves dyed her lips. Thus armed, a formidable champion of the world-conquering sex set out with a pitcher in her arm and pushing open the wattled gate of a neighbouring house entered within it. There were four huts in the house which she entered. They had mud floors and .bamboo walls. There was no sign of poverty anywhere, everything was neat and tidy. The four huts stood on the four sides of a quadrangle. Of these three had entrances opening on the yard, the fourth opened outwards. This last was die reception room, while the others, screened on all sides, constituted the zenana. Some brinjals and salads were growing on the carefully tilled plot of land in front of die raised terrace before the outer room. The whole was enclosed by a reed fence with a bamboo gate. So the woman could easily make her way into the house. It is superfluous to add that she went straight towards the zenana. I know not where the other inmates of the house had gone after their siesta, but at that time diere were only two persons there—one, a young woman of eighteen bent over her embroidery and a child of four immersed in play. His elder brother had wilfully left his ink-pot behind when going to school. The child's eyes had fallen on it, and he was joyfully smearing his face with die ink. He seemed to be afraid of his brother coming back and snatching the ink-pot away, and so he was emptying the pot. The newcomer sat down on the floor by the side of her who was working and asked, "What are you doing?"

The Present Volume Deals With The First Nine Hundred Years Of The Medieval Period Of Indian Literary History.A History Of Indian Literature Is An Account Of The Literary Activities Of The Indian People Carried Through In Many Languages And Under Different Social Conditions. It Is The Story Of A Multilingual Literature, A Plurality Of Linguistic Expressions And Cultural Experience And Also Of The Remarkable Unity Underlying Them.