"This book is broad and leisurely and important. Something like the river itself on which Wendell Berry lives. It is full of wide and flowing thoughts and one thing leads to another in the manner that nature intended―or used to. The language ranges from the grave and beautiful to the sharp and specific, depending on the need to express the vast variety of subjects he presents."—The Nation The title of this book is taken from an account by Thomas F. Hornbein on his travels in the Himalayas. ""It seemed to me,"" Horenbein wrote, ""that here man lived in continuous harmony with the land, as much as briefly a part of it as all its other occupants."" Wendell Berry's second collection of essays, A Continuous Harmony was first published in 1972, and includes the seminal ""Think Little,"" which was printed in The Last Whole Earth Catalogue and reprinted around the globe, and the splendid centerpiece, ""Discipline and Hope,"" an insightful and articulate essay making a case for what he calls ""a new middle."

First published in 1972, “Think Little” is cultural critic and agrarian Wendell Berry at his best: prescient about the dire environmental consequences of our mentality of greed and exploitation, yet hopeful that we will recognize war and oppression and pollution not as separate issues, but aspects of the same. “Think Little” is presented here alongside one of Berry’s most popular and personal essays, “A Native Hill.” This gentle essay of recollection is told alongside a poetic lesson in geography, as Berry explains at length and in detail, that what he stands for is what he stands on. Each palm–size book in the Counterpoints series is meant to stay with you, whether safely in your pocket or long after you turn the last page. From short stories to essays to poems, these little books celebrate our most–beloved writers, whose work encapsulates the spirit of Counterpoint Press: cutting–edge, wide–ranging, and independent.

First published in 1969 and out of print for more than twenty–five years, The Long–Legged House was Wendell Berry's first collection of essays, the inaugural work introducing many of the central issues that have occupied him over the course of his career. Three essays at the heart of this volume―“The Rise,” “The Long–Legged House,” and “A Native Hill”―are essays of homecoming and memoir, as the writer finds his home place, his native ground, his place on earth. As he later wrote, “What I stand for is what I stand on,” and here we see him beginning the acts of rediscovery and resettling.

Essayist, social critic, poet, "mad farmer," novelist, teacher, and prophet: Wendell Berry has been called many things, but the broad sweep of his contemporary relevance and influence defies facile labels. With his unique perspective and far-reaching vision, Berry poses complex questions about humankind and our relationship to the land and offers simple but profound solutions. Berry's essays, novels, and poems give voice to a provocative but consistent philosophy, one that extends far beyond its agrarian core to include elements of sociology, the natural sciences, politics, religion, philosophy, linguistics, agriculture, and other seemingly incompatible fields of study. Wendell Berry: Life and Work examines this wise and original thinker, appraising his written work and exploring his influence as an activist and artist. Jason Peters has assembled a broad variety of writers including Hayden Carruth, Sven Birkerts, Barbara Kingsolver, Stanley Hauerwas, Donald Hall, Ed McClanahan, Bill McKibben, Scott Russell Sanders, Norman Wirzba, Wes Jackson, and Eric T. Freyfogle. Each contributor examines an aspect of Berry's varied yet cohesive body of work. Also included are highly personal glimpses of Wendell Berry: his career, academic influence, and unconventional lifestyle. These deft sketches of Berry show the purity of his agrarian lifestyle and demonstrate that there is nothing simple about the life to which he has devoted himself. He embraces a life that sustains him not by easy purchase and haste but by physical labor and patience, not by mindless acquiescence to a centralized economy but by careful attention to local ways and wisdom. Wendell Berry: Life and Work combines biographical sketches, personal accounts, literary criticism, and social commentary. Together, the contributors illuminate Berry as he is: a complex man of place and community with an astonishing depth of domestic, intellectual, filial, and fraternal attributes. The result is a rich portrait of one of America's most profound and honest thinkers.

In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.