“An extraordinary novel” about growing up gay in the 1950s American Midwest (The New York Times Book Review). Critically lauded upon its initial publication in 1982 for its pioneering depiction of homosexuality, A Boy’s Own Story is a moving tale about coming-of-age in midcentury America. With searing clarity and unabashed wit, Edmund White’s unnamed protagonist yearns for what he knows to be shameful. He navigates an uneasy relationship with his father, confounds first loves, and faces disdain from his peers at school. In the embrace of another, he discovers the sincere and clumsy pleasures of adolescent sexuality. But for boys in the 1950s, these desires were unthinkable. Looking back on his experiences, the narrator notes, “I see now that what I wanted was to be loved by men and to love them back but not to be a homosexual.” From a winner of the PEN/Saul Bellow Award for Lifetime Achievement in Literature, this trailblazing autobiographical story of one boy’s youth is a moving, tender, and heartbreaking portrait of what it means to grow up.

The Jack-Roller tells the story of Stanley, a pseudonym Clifford Shaw gave to his informant and co-author, Michael Peter Majer. Stanley was sixteen years old when Shaw met him in 1923 and had recently been released from the Illinois State Reformatory at Pontiac, after serving a one-year sentence for burglary and jack-rolling (mugging), Vivid, authentic, this is the autobiography of a delinquent—his experiences, influences, attitudes, and values. The Jack-Roller helped to establish the life-history or "own story" as an important instrument of sociological research. The book remains as relevant today to the study and treatment of juvenile delinquency and maladjustment as it was when originally published in 1930.

In this pioneering work about the precursor to the comic book, Kelly Boyd traces the evolution of the boys' story paper and its impact on the imaginative world of working-class readers. From the penny dreadful and the Boy's Own Paper to the tales of Billy Bunter and Sexton Blake, this cultural form shaped ideas about gender, race, class and empire in response to social change. This study is an important analysis of a neglected part of popular culture.

Living in suburban New Jersey in the 1970s is quiet for Robin until his brother is killed in an accident, causing the relationship with his family to deteriorate as he rebels against his middle-American lifestyle.

"A ... debut about two young brothers and their physically and psychologically abusive father"--

As the 1960's drew to a close, parents across Britain raised a curious eyebrow as their long-haired children suddenly returned home with shaven heads, sporting Levi's jeans and vicious looking army boots, pleading for three quid to buy a Harrington jacket from the market. The skinhead was born and a youth culture stronger and more widespread than any other, before or since, took Britain by storm. Marting King was one of them. Boys and girls alike embraced this new working-class fashion and music - the West Indian reggae sounds of Blue Beat and the strong sense of identity they fostered. For a couple of summers the media would have it that England was under seige, when the young skins paraded at seaside resorts on bank holidays and later on terraces at nearly every football ground acros the country. With his passion for Chelsea FC and their growing reputation as the skinhead club forming a backdrop, King artfully and humorously describes the heady mix of pleasures which were all part of life as a teenager growing up in working-class south London in the late 60's