Emmaline Grant has always loved romance, so it's really no surprise that she has found her calling as a wedding florist. And she gets to work with her best friends Mackensie, Parker and Laurel - she couldn't ask for a better job. Yet while men swarm around her, she still hasn't found Mr Right. But the last place Emma's looking is right under her nose. And that's just where Jack Cooke is. He's been best friends with Parker's brother for years, which makes him practically family. Now the architect has begun to admit to himself that his feelings for Emma have developed into much more than friendship, and when she returns his passion - kiss for blistering kiss - things start to get complicated. Jack has never been big on commitment. Emma yearns for a lifelong love affair. And if the two are to find common ground, they must trust in their history - and in their hearts . . .

Bed of Roses is the story of a wife whose marriage is mired in struggle. Yearning for the intimacy she once enjoyed, it seems she has exhausted all options. At her end, she finds herself teetering between hope and despair. How will she find the words to kindle the transformation she desires? Sharing the intimate pages of her journal, Dionna Carter's collection spills raw emotion and desperate faith as she unearths the heartache of her own journey. Likening marriage to a rose, a universal symbol of love, these poems expose the complexities of an intimate relationship. Speaking to and for wounded wives, Bed of Roses offers the language to begin tilling the ground for conversation, intimacy, and restoration.

Rose Chan, “Queen of Striptease” at just 27 years old, enthralled men young and old in the heyday of cabaret in 1950s Malaya. Her accidental shot to fame, thanks to a wardrobe malfunction in which her bra snapped, catapulted her into the limelight. In No Bed of Roses, Cecil Rajendra pens an account of her life — her childhood in Soochow, China, and then in Kuala Lumpur and Singapore, her five marriages and personal struggles, how she circumvented the colonial decency laws that forbade nudity, and finally her fight with cancer that took her life in 1987 at the age of 62.

Written with compassion, intelligence and insight, A Bed of Red Flowers is a profoundly moving portrait of life under occupation and the unforgettable story of a family, a people and a country. "The picnic of the red flower" is a traditional time of celebration for Afghans. One of Nelofer Pazira's earliest memories is of people gathering in the countryside to admire the tulips and poppies carpeting the landscape. It is the mid-1970s, and her parents are building a future for themselves and their young children in the city of Kabul. But when Nelofer is just five the Communists take power and her father, a respected doctor, is imprisoned along with thousands of other Afghans. The following year, the Russians invade Afghanistan, which becomes a police state and the center of a bloody conflict between the Soviet army and American-backed mujahidin fighters. A climate of violence and fear reigns. For Nelofer, there is no choice but to grow up fast. At eleven, she and her friends throw stones at the Russian tanks that stir up dust and animosity in the streets of Kabul. As a teenager she joins a resistance group, hiding her gun from her parents. Her emotional refuge is her friendship with her classmate Dyana, with whom she shares a passion for poetry, dreams and a better life. After a decade of war, Nelofer's family escapes across the mountains to Pakistan and later to Canada, where she continues to write to Dyana. When her friend suddenly stops writing, Nelofer fears for Dyana's life. With lyrical, narrative prose, A Bed of Red Flowers movingly tells Pazira's haunting story, as well as Afghanistan's story as a nation.

Life Isn't Always a Bed of Roses is a collecting of poems that deal with life and its many facets. From soft palatable verse to raw chunks of pseudo reality the poems take you on a journey across the barriers of realms seldom visited by most. Although it falls in the genre of poetry it is actually humanistic verse for the common folk. Hopefully youll laugh a little, maybe even cry a little but most of all it should make you think about life from a number of different viewpoints.

A Beauty and the Beast tale set during America's Gilded Age "I may be a monster, Miss Tate, but I am not a beast." His new secretary looked unconvinced. How could he blame her? His mask had her trembling like a frightened rabbit. Yet what lay beneath was far worse. The sight of his face had already killed one young woman. He well understood Miss Tate's fear. If only she understood his. Because as disturbing as she found his gruesome appearance, he was far more terrified of her beauty. Heir to a wealthy robber baron, Jonathan Nashe had every advantage money could buy until a tragic fire left him horribly disfigured. Now he lives secluded in his isolated country mansion, his scientific research his only solace. When declining health threatens to rob him of even this small comfort, Jonathan is forced to choose between his work and his privacy. Reluctantly, he hires a secretary. Though distasteful, sacrificing his privacy soon proves the least of his concerns; he never expected to sacrifice his heart as well.But Isabelle Tate guards the secrets of her past as vigilantly as Jonathan hides the scars beneath his mask. Can they confess their growing love for one another knowing that to bare their deepest feelings, they must also bare their deepest shame?