A funny book about law and lawyers based on the 101 Reasons to Kill All the Lawyers blog.

Two-thirds of Shakespeare?s plays have trial scenes, and many deal specifically with lawyers, courts, judges, and points of law. Daniel Kornstein, a practicing attorney, looks at the legal issues and aspects of Shakespeare?s plays and finds fascinating parallels with many legal and social questions of the present day. The Elizabethan age was as litigious as our own, and Shakespeare was very familiar with the language and procedures of the courts. Kill All the Lawyers? examines the ways in which Shakespeare used the law for dramatic effect and incorporated the passion for justice into his great tragedies and comedies and considers the modern legal relevance of his work. ø This is a ground-breaking study in the field of literature and the law, ambitious and suggestive of the value of both our literary and our legal inheritance.

First Kill All the Lawyers is a step-by-step guide to obtaining a divorce without an attorney. Psychotherapist, nutritionist, energy worker, former actress and comedienne, Katie Law Goodwin, takes you through the often painful and difficult process from filing forms all the way through the self-care required to maintain your sanity—nutrition, exercise and meditation. Written with poignancy, wit and humor, Goodwin teaches the reader how to fill out forms, write legal pleadings, serve their spouse with papers, where to find forms, and even how to dress for a trial—should a divorce go that far. A must read whether you are going through a divorce or just considering one. Your guide to: • Manage your own divorce without an attorney • Maintain your sanity along the way • Research, complete and file court forms • And much more!

Someone is killing lawyers, but a particular vampire lawyer won’t stay dead. Donovan Trait is a marked man. He is flamboyant, stunningly handsome, and notoriously insatiable, but his attitude and style belie his skills in the courtroom. No one survives a cross-examination at Donovan’s hands. His knowledge of the law and trial practice has accumulated over the years… and years, of experience. More than three hundred years. You see, when Donovan isn’t seducing judges and juries, he’s a creature of the night. And now that someone has decided that it’s time to kill all lawyers, his lust for attention has set him in the murderer’s sights. The problem is that vampires don’t die. Not easily, anyway. That’s good news for Donovan, not so much for his very human lady love, also a target of the serial killer. Will several unsuccessful attempts on his life expose Donovan’s true nature? Will the killer learn the secret that will guarantee a permanent death? Or will Donovan finally manage to put an end to the killer’s murderous spree and live happily ever after, with his lady love?

This book examines 24 crime novelists who set their work in the Sunshine State. From James W. Hall’s Under Cover of Daylight in the Florida Keys, to Barbara Parker’s Suspicion of Betrayal in Miami to Tim Dorsey’s Florida Roadkill at Cape Canaveral and Tampa, these writers and their works span all of Florida’s 67 counties. A biographical sketch of each author precedes an interview by a critic who has immersed him- or herself in the novelist’s works, producing interview-essays of noteworthy perception and insight.

Elizabeth and James, Sidney, Spenser, and Shakespeare, Bacon and Ellesmere, Perkins and Laud, Milton and Hobbes-this begins a list of early modern luminaries who write on 'equity'. In this study Mark Fortier addresses the concept of equity from early in the sixteenth century until 1660, drawing on the work of lawyers, jurists, politicians, kings and parliamentarians, theologians and divines, poets, dramatists, colonists and imperialists, radicals, royalists, and those who argue on gender issues. He examines how writers in all these groups make use of the word equity and its attendant notions. Equity, he argues, is a powerful concept in the period; he analyses how notions of equity play a prominent part in discourses that have or seek to have influence on major social conflicts and issues in early modern England. Fortier here maps the actual and extensive presence of equity in the intellectual life of early modern England. In so doing, he reveals how equity itself acts as an umbrella term for a wide array of ideas, which defeats any attempt to limit narrowly the meaning of the term. He argues instead that there is in early modern England a distinct and striking culture of equity characterized and strengthened by the diversity of its genealogy and its applications. This culture manifests itself, inter alia, in the following major ways: as a basic component, grounded in the old and new testaments, of a model for Christian society; as the justification for a justice system over and above the common law; as an imperative for royal prerogative; as a free ranging subject for poetry and drama; as a nascent grounding for broadly cast social justice; as a rallying cry for revolution and individual rights and freedoms. Working from an empirical account of the many meanings of equity over time, the author moves from a historical understanding of equity to a theorization of equity in its multiplicity. A profoundly literary study, this book also touches on matters of legal an