A Cape Town cop takes on the media-frenzied murder of a young woman in this “hard-hitting procedural, which won France’s Grand Prix for Best Crime Novel” (Publishers Weekly). As a child, Ali Neuman ran away from home to escape the Inkatha, a militant political party at war with the then-underground African National Congress. He and his mother are the only members of his family who survived the carnage of those years. Today, Neuman is chief of the homicide branch of the Cape Town police, a job in which he must do battle with South Africa’s two scourges: widespread violence and AIDS. When the mutilated corpse of a young white woman is found in the city’s botanical gardens, Neuman finds himself chasing one false lead after another. Then a second corpse is found—another white woman. This time, the body bears signs of a Zulu ritual. Worse, an unknown narcotic has been found in the blood of both victims. The investigation will take Neuman back to his homeland, where he will discover that the once bloody killing fields have become a refuge for unscrupulous multinationals, and that the apparatchiks of apartheid still lurk in the shadows of a society struggling toward reconciliation.

Publisher Description

The battle of iSandlwana was the single most destructive incident in the 150-year history of the British colonization of South Africa. This title shows that the brutality of the battle was the result of an inevitable clash between two aggressive warrior traditions.

Toward the end of the nineteenth century, the British embarked on a concerted series of campaigns in South Africa. Within three years they waged five wars against African states with the intent of destroying their military might and political independence and unifying southern Africa under imperial control. This is the first work to tell the story of this cluster of conflicts as a single whole and to narrate the experiences of the militarily outmatched African societies. Deftly fusing the widely differing European and African perspectives on events, John Laband details the fateful decisions of individual leaders and generals and explores why many Africans chose to join the British and colonial forces. The Xhosa, Zulu, and other African military cultures are brought to vivid life, showing how varying notions of warrior honor and manliness influenced the outcomes for African fighting men and their societies.

"Why are you learning Zulu?" When Mark Sanders began studying the language, he was often asked this question. In Learning Zulu, Sanders places his own endeavors within a wider context to uncover how, in the past 150 years of South African history, Zulu became a battleground for issues of property, possession, and deprivation. Sanders combines elements of analysis and memoir to explore a complex cultural history. Perceiving that colonial learners of Zulu saw themselves as repairing harm done to Africans by Europeans, Sanders reveals deeper motives at work in the development of Zulu-language learning—from the emergence of the pidgin Fanagalo among missionaries and traders in the nineteenth century to widespread efforts, in the twentieth and twenty-first centuries, to teach a correct form of Zulu. Sanders looks at the white appropriation of Zulu language, music, and dance in South African culture, and at the association of Zulu with a martial masculinity. In exploring how Zulu has come to represent what is most properly and powerfully African, Sanders examines differences in English- and Zulu-language press coverage of an important trial, as well as the role of linguistic purism in xenophobic violence in South Africa. Through one person's efforts to learn the Zulu language, Learning Zulu explores how a language's history and politics influence all individuals in a multilingual society.

In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.