The creator and executive producer of Everybody Loves Raymond, on how to make a sitcom classic and keep laughing This laugh-out-loud memoir takes readers backstage and inside the writers’ room of one of America’s best-loved shows. With more than 17 million viewers and more than seventy Emmy nominations—including two wins for best comedy—Everybody Loves Raymond reigned supreme in television comedy for almost a decade. Phil Rosenthal was there at the beginning. United by a shared lifetime of family dysfunction, he and Ray Romano found endless material to keep the show fresh and funny for its entire run. Alongside hilarious anecdotes from the series and his own career misadventures prior to working on the show, Rosenthal provides an enlightening and entertaining look at how sitcoms are written and characters developed. You’re Lucky You’re Funny is an inspiration to aspiring creators of comedy and a must read for the show’s millions of devoted fans.

Traces the stories of entrepreneurs who rose from the ashes of the dot-com bust to create groundbreaking new Web companies, in an account that documents the success stories of such examples as Facebook, MySpace, and YouTube.

70 Years After Its Debut, The First Canadian War Play Has Been Exhaustively Researched and Restored For This Limited-Edition Volume.

The author of "The Gospel According to Peanuts" now turns his attention to the works and verses of Theodor Geisel, a.k.a. Dr. Seuss, who is hardly regarded as a Christian thinker. However, by drawing on the Bible and other works, Short presents quick theological readings of Seusss works.

How can teachers make their literacy classrooms a place of joy? Fun, caring, and passion are the keys to a shame-free, healthy classroom that nurtures students in mind, body, and spirit. Full of simple strategies and activities for building community, this practical book is committed to promoting strong literacy skills. It illustrates concrete ways to build mindful classrooms where students are free to speak with compassion, write with conviction, and read with joy.

In discussions that begin in 1971 and end in 2009, Allen talks about every facet of moviemaking through the prism of his own work as well as the larger world of film, and in so doing reveals an artist’s development over the course of his career. He speaks about his influences and about the genesis of his ideas; about writing, casting, acting, shooting, directing, editing, and scoring—and throughout shows himself to be thoughtful, honest, self-deprecating, always witty, and often hilarious. From the Trade Paperback edition.