The latest contemporary novel from Una LaMarche, acclaimed author of Five Summers, Like No Other, and Don’t Fail Me Now. In the high-pressure months leading up to the performance that will determine their futures, a group of friends at a performing arts school look back on when an unexpected event upended everything. "A poignant and timely socially conscious narrative." —Kirkus It's always been you—you know that, right? At a prestigious New York City performing arts school, five friends connect over one dream of stardom. But for Joy, Diego, Liv, Ethan and Dave, that dream falters under the pressure of second-semester, Senior year. Ambitions shift and change, new emotions rush to the surface, and a sense of urgency pulses between them: Their time together is running out. Diego hopes to get out of the friend zone. Liv wants to escape, losing herself in fantasies of the new guy. Ethan conspires to turn his muse into his girlfriend. Dave pines for the drama queen. And if Joy doesn’t open her eyes, she could lose the love that’s been in front of her all along. An epic ensemble piece in the vein of Fame and Let’s Get Lost, You in Five Acts is a eulogy for a friendship—the heartbreaks, the betrayals, the inside jokes, the remember-whens. And the tragedy that changed everything.

One of the world's greatest Wagnerian sopranos talks about an illustrious career that flourished for over five decades.

Acclaimed author Alex Espinoza, whose writing Lisa See has called “fresh, magical, beautiful, and evocative,” returns with a captivating, unforgettable novel set in Hollywood’s Golden Age, as a gifted and determined young man leaves Mexico—and everything he’s ever known—to follow his dreams. Growing up in a rural village at the height of the Mexican Revolution, Diego León has many first loves: singing, dancing, and hearing the stories of his ancestors, the P’urhépecha. But when tragedy strikes, young Diego is sent to the city to live with his aristocratic grandparents, who insist he forget his roots and groom him to take over the family business. Under pressure to enter a profession—and a life—he cares nothing for, and haunted by the violence once again erupting all around him, Diego flees his war-torn country to forge his own destiny. Diego arrives in Hollywood in 1927, when silent films are giving way to talkies, Prohibition is in full swing, and “Latin lover” types are sought out even as they are looked down upon. Working his way up in the movie business with talent and ingenuity, Diego soon figures out that getting one’s face on the silver screen has as much to do with what goes on behind the camera as what goes on in front of it. But the closer Diego comes to stardom, the more he finds that the past is not so easily escaped, as he is drawn again and again to the painful legacy of history and the wounds of his homeland. A sweeping, sensual novel of love, ambition, and identity, The Five Acts of Diego León bears all the marks of a classic Hollywood story: romance, betrayal, glamour, and an underdog hero to root for till the end. “An elegant, startling vision of a Mexican in America, The Five Acts of Diego León proclaims the ascendance of a unique new talent, Alex Espinoza—a Chicano in America certain to surpass the fame of his novel’s silent Hollywood hero. Espinoza takes our literature from a mute, black-and-white era to a national stage with full-spectrum color, in high-tech surround sound.”—Dagoberto Gilb, author of Before the End, After the Beginning

Based on fact, this coming-of-age story offers a vivid picture of life behind the curtain at Shakespeare's theater. Illustrations.

A dark-hued, hybrid novel by a writer who “delivers our culture back to us, made entirely new” (A. M. Homes) In The Complete Ballet, John Haskell choreographs an intricate and irresistible pas de deux in which fiction and criticism come together to create a new kind of story. Fueled by the dramatic retelling of five romantic ballets, and interwoven with a contemporary story about a man whose daunting gambling debt pushes him to the edge of his own abyss, it is both a pulpy entertainment and a meditation on the physicality—and psychology—of dance. The unnamed narrator finds himself inexorably drawn back to the pre–cell phone world of Technicolor Los Angeles, to a time when the tragedies of his life were about to collide. Working as a part-time masseur in Hollywood, he attends an underground poker game with his friend Cosmo, a strip-club entrepreneur. What happens there hurtles the narrator down the road and into the room where the novel’s violent and surreal showdown leaves him a different person. As the narrator revisits his past, he simultaneously inhabits and reconstructs the mythic stories of ballet, assessing along the way the lives and obsessions of Nijinsky and Balanchine, Pavlova and Fonteyn, Joseph Cornell and the story’s presiding spirit, the film director John Cassavetes. This compulsively readable fiction is ultimately a profound and haunting consideration of the nature of art and identity.