Realtor Hannah Thornton has many talents. Unfortunately, selling houses in the town where her family name is practically poison isn't one of them. When a business tycoon determines to raze historic homes in the small town of Heritage, Michigan, and replace them with a strip mall, Hannah resolves to stop him. She sets about helping Heritage win a restoration grant that will put the town back on the map--and hopefully finally repay the financial debt Hannah's mother caused the town. But at first no one supports her efforts--not even her best friend, Luke. Luke Johnson may have grown up in Heritage, but as a foster kid he never truly felt as if he belonged. Now he has a chance to score a job as assistant fire chief and earn his place in the town. But when the interview process and Hannah's restoration project start unearthing things from his past, Luke must decide if belonging is worth the pain of being honest about who he is--and who he was.

Leah Williams is back in the quaint town of Heritage, Michigan, and ready to try again to make her business a success. But blank slates are hard to come by, and a piece of her past is waiting for her there. Heir to the Heritage Fruits company, Jonathan Kensington is the guy who not only made Leah's past difficult, he also seems determined to complicate her present as well. Jon is trying to prove to the Heritage Fruits board that he, not his manipulative uncle, should be running the business. The board insists Jon find a new owner for the building that will house Leah's business. To avoid forcing a buyout of Leah's part of the building, Jon strikes a compromise with Leah, and the two go into business together. With her vision and his know-how, it might work. And Leah might realize he's loved her since high school. If only he didn't keep on shooting himself in the foot by boxing her out of important decisions. Sparks fly in this romantic story of two people who must learn to trust both each other and the one who called them to this journey. "A welcome homecoming for series fans, this is also recommended for all who love small town romances."--Booklist

When she hears that the small town of Heritage, Michigan, is looking for a new librarian, Libby Kingsley jumps at the opportunity. Little did she know the library is barely more than a storage closet stuffed with dusty, outdated books. What the community really needs is a new building. But the only funds available are those being channeled into the new town square, and the landscape architect in charge of the project wants nothing to do with her plans. All Austin Williams wants to do is get the town square project finished so he can do right by the family business and then extricate himself from the town that reveres the brother who cost him so much. But the local media and the town's new librarian seem to be conspiring against him at every turn. Will the determined bookworm find her way into his blueprints--and possibly even his heart? Novelist Tari Faris invites you back to the small town with a big heart in this second book in the Restoring Heritage series.

"This Center Point Large Print edition is published in the year 2019 by arrangement with Revell, a division of Baker Publishing Group"--Title page verso.

Two teens go on a life-changing sailing trip as they deal with the grief of losing their best friend in this heartwrenching, hopeful novel from the author of Something Like Normal and In a Perfect World. Willa and Taylor were supposed to spend the summer after high school sailing from Ohio to Key West with their best friend, Finley. But Finley died before graduation, leaving them with a twenty-five-foot sailboat, a list of clues leading them to destinations along the way, and a friendship that’s hanging by a thread. Now, Willa and Taylor have two months and two thousand miles to discover how life works without Finley—and to decide if their own friendship is worth saving. From acclaimed author Trish Doller comes a poignant tale of forgiveness, grief, and the brilliant discoveries we make within ourselves when we least expect it.

What does it mean to be Mi’kmaq? And if Swift Fox can’t find the answer, will she ever feel like part of her family? When Swift Fox’s father picks her up to go visit her aunties, uncles, and cousins, her belly is already full of butterflies. And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means. Based on the author’s own experience, with striking illustrations by Maya McKibbin, Swift Fox All Along is a poignant story about identity and belonging that is at once personal and universally resonant.

Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.