For some of us, moviegoing is an occasional pleasure. Kevin Murphy made it his obsession, and he did it for you. Mr. Murphy, known to legions of fans as Tom Servo on the legendary TV series Mystery Science Theater 3000, went to the movies every day for a year. That's every single day, people. For a whole fricken' year. And not only did he endure, he prevailed -- for this is the hilarious, poignant, fascinating journal of his adventures: the first book about the movies from the audience's point of view. Kevin went to the multiplex, sure. But he didn't stop there. He found the world's smallest commercial movie theater. Another one made completely of ice. Checked out flicks in a tin-roofed hut in the South Pacific. Tooled across the desert from drive-in to drive-in in a groovy convertible. Lived for a week solely on theater food. Took six different women to the same date movie. Dressed up as a nun for the Sing-Along Sound of Music in London. Sneaked into the Cannes and Sundance film festivals. Smuggled an entire Thanksgiving dinner into a movie theater. And saw hundreds of films, from the Arctic Circle to the Equator, from the sublime to the unspeakable. Come along on a joyous global celebration of the cinema with a man on a mission -- to spend A Year at the Movies.

Known as the voice of Tom Servo on "Mystery Science Theater 3000, " Murphy hilariously chronicles his adventure of attending one movie per day for one year, which took him from the local multiplex to the Cannes film festival. Murphy watched movies in as many venues as possible, in six countries spanning four continents.

The award-winning television series Mystery Science Theater 3000 (1988-1999) has been described as "the smartest, funniest show in America," and forever changed the way we watch movies. The series featured a human host and a pair of robotic puppets who, while being subjected to some of the worst films ever made, provided ongoing hilarious and insightful commentary in a style popularly known as "riffing." These essays represent the first full-length scholarly analysis of Mystery Science Theater 3000--MST3K--which blossomed from humble beginnings as a Minnesota public-access television show into a cultural phenomenon on two major cable networks. The book includes interviews with series creator Joel Hodgson and cast members Kevin Murphy and Trace Beaulieu.

Jacques Rancière’s work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the “politics of aesthetics” and the “aesthetics of politics”? Specifically, the book explores the implications of Rancière’s rethinking of the relationship of aesthetic to political democracy from a wide range of critical perspectives. Distributions of the Sensible contains original essays by leading scholars on topics such as Rancière’s relation to political theory, critical theory, philosophical aesthetics, and film. The book concludes with a new essay by Rancière himself that reconsiders the practice of theory between aesthetics and politics.

This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.

"Michael Adams's book is great fun! No one intends to make a truly bad movie, but when they do, Michael Adams will be there to watch it...and make it entertaining!" —John Landis, director of Trading Places and The Blues Brothers In Showgirls, Teen Wolves, and Astro Zombies, film critic Michael Adams embarks on a year-long odyssey to discover the worst movie ever made, which Mystery Science Theater 3000 star, writer, and director Kevin Murphy calls "disturbingly comprehensive, joyously critical, and the best of its kind." From all-time cult classics such as Reefer Madness and Plan 9 from Outer Space to new entries to the pantheon such as Gigli and Baby Geniuses, no genre, star, or director is safe from Adams’s acerbic wit and hilarious observations. In the vein of A.J. Jacobs’s New York Times bestselling book The Know-It-All, and with the snarky sarcasm of television’s Mystery Science Theater 3000 and The Soup, Showgirls, Teen Wolves, and Astro Zombies leaves no stone unturned. With a foreword by cult director George A. Romero (Night of the Living Dead and Dawn of the Dead).

From the bodice-busting book covers to personal ads to wedding cake toppers, romantic subjects have thrived in the fertile soil of American modern-age media and pop culture. This title celebrates the many facets of love: dating, marriage, heartbreak, sex, and strange, thin men in shorts with funny socks.