"Yarn Bombing 18th Street is a catalog of an exhibit held at 18th Street Arts Complex, Santa Monica, CA in June 2011 (co-sponsored by 18th Street Arts Complex and Arroyo Arts Collective). Over sixty artists, representing a spectrum of participants (age, skill level, artists and non-artists, etc) installed site-specific knit/crochet/fiber arts pieces around the complex"--Wheelers.co.nz.

Yarn Bombing 18th Street is a catalog of an exhibit held at 18th Street Arts Complex, Santa Monica, CA in June 2011 (co-sponsored by 18th Street Arts Complex and Arroyo Arts Collective). Over sixty artists, representing a spectrum of participants (age, skill level, artists and non-artists, etc) installed site-specific knit/crochet/fiber arts pieces around the complex.

When Yarn Bombing was first published in 2009, the idea that knitted and crocheted objects could be used as a political act of resistance was brand new. Ten years and thousands of pink “pussy” hats later, the art of knit and crochet graffiti has entered the public zeitgeist – a cultural phenomenon that shows no sign of slowing down. Yarn bombing is an international guerrilla movement that started underground and is now embraced by crochet and knitting artists of all ages, nationalities, and genders. Its practitioners create stunning works of art out of yarn, then "donate" them to public spaces as part of a covert plan for world yarn domination, or fashion them into personal political statements. Yarn Bombing the book is a wildly colorful guide to covert textile street art around the world; it also includes over 20 amazing patterns, provides tips on how to be as stealthy as a ninja, demonstrates how to orchestrate a large-scale textile project, and offers revealing information necessary to design your own yarn graffiti tags. This tenth anniversary edition includes a new foreword by the authors and a new chapter that includes many infamous examples of yarn bombing over the past ten years. Subversive and beguiling, this new edition of Yarn Bombing demonstrates that the phenomenon of knit and crochet graffiti is more relevant than ever, especially in these troubled times.

Examines the 1920 bombing of Wall Street in which thirty-nine people died and hundreds were injured, with details on the suspects, victims, investigators, and the four year manhunt for the perpetrators.

Placemaking—personalizing public and semi-private spaces like front yards—is a growing trend in cities and suburbs around the world, drawing people out of their homes and into conversation with one another. Picture a busy avenue. Now plant trees along the boulevard, paint a mural by the empty lot, and add a community garden. Set up benches along the sidewalks and make space for kids' chalk drawings, and you've set the scene for a thriving community. Kids are natural placemakers, building tree forts, drawing on sidewalks and setting up lemonade stands, but people of all ages can enjoy creative placemaking activities. From Dutch families who drag couches and tables onto sidewalks for outdoor suppers to Canadians who build little lending libraries to share books with neighbors, people can do things that make life more fun and strengthen neighborhoods. Home Sweet Neighborhood combines upbeat text, fun facts and colorful photos to intrigue and inspire readers.

An exciting introduction to a new generation of street artists whose spontaneous craft installations are leaving their mark on cities around the world In the past decade, street art has transformed from a practice carried out by anonymous creators, seen by some as vandalism, into a commercial enterprise and a respectable part of the international art market. One of the richest movements in street art has been the development of an alternative, crafts-based, three-dimensional movement, broadly identified as Street Craft. This new generation of artists is creating uncommissioned, site-specific works employing a range of art and craft techniques, including weaving, crocheting, sculpting, painting, gardening, light installation, and more. Street Craft brings together twenty-eight different artists from different countries whose work has redefined what street art can be. By diversifying materials and techniques, Street Craft artists are pushing beyond the two-dimensionality of graffiti and mural-painting, many of them using craft techniques to bring inventive beauty to bland urban surroundings. Tasha Lewis’s blue butterfly swarms decorate derelict corners of Indianapolis and New York, and Mademoiselle Maurice’s origami and lace graffiti beautifies the streets of Paris and Hong Kong. Other artists create sophisticated urban interventions bearing their personal tags, such as the artist SpiderTag, who intertwines sturdy rope and nails to construct abstract graffiti in Madrid, and GorillaLighting, who haunts Berlin’s industrial estates with impermanent projections. Each artist’s profile includes project descriptions, artist statements, and a selection of photographs of their work: a document of the vibrant panorama of Street Craft, which, like the art form itself, engages with its audience in new and exciting ways.

Seventh-grader Zinnia's last-day-of-school got off to a bad start when she ended up in the vice principal's office for yarn-bombing a statue of the school mascot, but it is about to get a whole lot worse--because, thanks to the incompetence of Bee 641, a colony of commercial, migratory bees escaping from a truck has settled their colony in her hair.