THE WORLD SET FREE was written in 1913 and published early in 1914, and it is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us. The reader will be amused to find that here it is put off until the year 1956. He may naturally want to know the reason for what will seem now a quite extraordinary delay. As a prophet, the author must confess he has always been inclined to be rather a slow prophet.The war aeroplane in the world of reality, for example, beat the forecast in Anticipations by about twenty years or so. I suppose a desire not to shock the sceptical reader's sense of use and wont and perhaps a less creditable disposition to hedge, have something to do with this dating forward of one's main events, but in the particular case of The World Set Free there was, I think, another motive in holding the Great War back, and that was to allow the chemist to get well forward with his discovery of the release of atomic energy. 1956or for that matter 2056may be none too late for that crowning revolution in human potentialities. And apart from this procrastination of over forty years, the guess at the opening phase of the war was fairly lucky; the forecast of an alliance of the Central Empires, the opening campaign through the Netherlands, and the despatch of the British Expeditionary Force were all justified before the book had been published six months. And the opening section of Chapter the Second remains now, after the reality has happened, a fairly adequate diagnosis of the essentials of the matter. One happy hit (in Chapter the Second, Section 2), on which the writer may congratulate himself, is the forecast that under modern conditions it would be quite impossible for any great general to emerge to supremacy and concentrate the enthusiasm of the armies of either side.There could be no Alexanders or Napoleons. And we soon heard the scientific corps muttering, 'These old fools,' exactly as it is here foretold.These, however, are small details, and the misses in the story far outnumber the hits. It is the main thesis which is still of interest now; the thesis that because of the development of scientific knowledge, separate sovereign states and separate sovereign empires are no longer possible in the world, that to attempt to keep on with the old system is to heap disaster upon disaster for mankind and perhaps to destroy our race altogether. The remaining interest of this book now is the sustained validity of this thesis and the discussion of the possible ending of war on the earth.

A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois. This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written. Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.

Trinity, the debut graphic book by Jonathan Fetter-Vorm, depicts the dramatic history of the race to build and the decision to drop the first atomic bomb in World War Two—with a focus on the brilliant, enigmatic scientist, J. Robert Oppenheimer. "Succeeds as both a graphic primer and a philosophical meditation." —Kirkus Reviews (starred review) This sweeping historical narrative traces the spark of invention from the laboratories of nineteenth-century Europe to the massive industrial and scientific efforts of the Manhattan Project, and even transports the reader into a nuclear reaction—into the splitting atoms themselves. The power of the atom was harnessed in a top-secret government compound in Los Alamos, New Mexico, by a group of brilliant scientists led by the enigmatic wunderkind J. Robert Oppenheimer. Focused from the start on the monumentally difficult task of building an atomic weapon, these men and women soon began to wrestle with the moral implications of actually succeeding. When they detonated the first bomb at a test site code-named Trinity, they recognized that they had irreversibly thrust the world into a new and terrifying age. With powerful renderings of WWII's catastrophic events at Hiroshima and Nagasaki, Fetter-Vorm unflinchingly chronicles the far-reaching political, environmental, and psychological effects of this new invention. Informative and thought-provoking, Trinity is the ideal introduction to one of the most significant events in history.

The World Set Free - H. G. Wells - The book is based on a prediction of nuclear weapons of a more destructive and uncontrollable sort than the world has yet seen. It had appeared first in serialised form with a different ending as A Prophetic Trilogy, consisting of three books: A Trap to Catch the Sun, The Last War in the World and The World Set Free.A frequent theme of Wells's work, as in his 1901 nonfiction book Anticipations, was the history of humans' mastery of power and energy through technological advance, seen as a determinant of human progress. The novel begins: "The history of mankind is the history of the attainment of external power. Man is the tool-using, fire-making animal. . . . Always down a lengthening record, save for a set-back ever and again, he is doing more." The novel is dedicated "To Frederick Soddy's Interpretation of Radium," a volume published in 1909.Scientists of the time were well aware that the slow natural radioactive decay of elements like radium continues for thousands of years, and that while the rate of energy release is negligible, the total amount released is huge. Wells used this as the basis for his story.

The Book of the Ancient World is an account of our common heritage from the dawn of civilization to the coming of the Greeks. It is the story of how human beings began their great adventure of learning how to live; of how they have sought to satisfy the practical needs of their bodies, the questioning of their minds, and the searching of their spirits. To this end it subordinates details of political events to the record of things that lie at the foundation or our modern civilization. Dorothy Mills had an uncanny and unique ability to write history that is interesting and at the same time based on sound scholarship. Her direct, engaging approach is valued increasingly by the many parents in our day who are looking for reliable materials for home study, as well as by many private school educators. The highly-prized six volumes of her historical works (see below) have become very scarce on the used book market, and so Dawn Chorus has undertaken to reprint them as part of its effort to offer texts ideally suited to the needs of a new generation of teachers and students. In a world where the quality of education has so deteriorated, may the reissue of this wonderful historical series shine as a beacon to a new generation of young (and not so young) scholars . Dawn Chorus publishes these five other books by Dorothy Mills: The Book of the Ancient Greeks; The Book of the Ancient Romans; The People of Ancient Israel; The Middle Ages; and Renaissance and Reformation Times. Dawn Chorus has also republished another outstanding, and long-out-of-print historical series perfectly suited for home or school use (and highly recommended in home-school curricula), entitled The Picturesque Tale of Progress, by Olive Beaupre Miller. It is available in large format (9 volumes), or smaller, double-bound format (5 volumes).

Describes in human, political, and scientific detail the complete story of how the bomb was developed, from the turn-of-the-century discovery of the power of the atom, to the first bombs dropped on Japan.

The World Set Free is a novel written in 1913 and published in 1914 by H. G. Wells.[1] The book is based on a prediction of a more destructive and uncontrollable sort of weapon than the world has yet seen.[2][3][4] It had appeared first in serialised form with a different ending as A Prophetic Trilogy, consisting of three books: A Trap to Catch the Sun, The Last War in the World and The World Set Free.[5]A frequent theme of Wells's work, as in his 1901 nonfiction book Anticipations, was the history of humans' mastery of power and energy through technological advance, seen as a determinant of human progress. The novel begins: "The history of mankind is the history of the attainment of external power. Man is the tool-using, fire-making animal. . . . Always down a lengthening record, save for a set-back ever and again, he is doing more."[6] (Many of the ideas Wells develops here found a fuller development when he wrote The Outline of History in 1918-1919.) The novel is dedicated "To Frederick Soddy's Interpretation of Radium," a volume published in 1909.Scientists of the time were well aware that the slow natural radioactive decay of elements like radium continues for thousands of years, and that while the rate of energy release is negligible, the total amount released is huge. Wells used this as the basis for his story. In his fiction, The problem which was already being mooted by such scientific men as Ramsay, Rutherford, and Soddy, in the very beginning of the twentieth century, the problem of inducing radio-activity in the heavier elements and so tapping the internal energy of atoms, was solved by a wonderful combination of induction, intuition, and luck by Holsten so soon as the year 1933.[7]Wells's knowledge of atomic physics came from reading William Ramsay, Ernest Rutherford, and Frederick Soddy; the last discovered the disintegration of uranium. Soddy's book Wealth, Virtual Wealth and Debt praises The World Set Free. Wells's novel may even have influenced the development of nuclear weapons, as the physicist Leó Szilárd read the book in 1932, the same year the neutron was discovered. In 1933 Szilárd conceived the idea of neutron chain reaction, and filed for patents on it in 1934.[8]Wells's "atomic bombs" have no more force than ordinary high explosive and are rather primitive devices detonated by a "bomb-thrower" biting off "a little celluloid stud."[9] They consist of "lumps of pure Carolinum" that induce "a blazing continual explosion" whose half-life is seventeen days, so that it is "never entirely exhausted," so that "to this day the battle-fields and bomb fields of that frantic time in human history are sprinkled with radiant matter, and so centres of inconvenient rays."[10]