Contains roughly 850 entries on both major and minor authors, themes, genres, and topics of Spanish literature from the Middle Ages to the present day. Describes the growing diversity within national borders, the increasing interdependence among nations, and the myriad impacts of Spanish literature across the globe.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Entertainment Weekly • Kirkus Reviews • The Christian Science Monitor In the picturesque village of Guzmán, Spain, in a cave dug into a hillside on the edge of town, an ancient door leads to a cramped limestone chamber known as “the telling room.” Containing nothing but a wooden table and two benches, this is where villagers have gathered for centuries to share their stories and secrets—usually accompanied by copious amounts of wine. It was here, in the summer of 2000, that Michael Paterniti found himself listening to a larger-than-life Spanish cheesemaker named Ambrosio Molinos de las Heras as he spun an odd and compelling tale about a piece of cheese. An unusual piece of cheese. Made from an old family recipe, Ambrosio’s cheese was reputed to be among the finest in the world, and was said to hold mystical qualities. Eating it, some claimed, conjured long-lost memories. But then, Ambrosio said, things had gone horribly wrong. . . . By the time the two men exited the telling room that evening, Paterniti was hooked. Soon he was fully embroiled in village life, relocating his young family to Guzmán in order to chase the truth about this cheese and explore the fairy tale–like place where the villagers conversed with farm animals, lived by an ancient Castilian code of honor, and made their wine and food by hand, from the grapes growing on a nearby hill and the flocks of sheep floating over the Meseta. What Paterniti ultimately discovers there in the highlands of Castile is nothing like the idyllic slow-food fable he first imagined. Instead, he’s sucked into the heart of an unfolding mystery, a blood feud that includes accusations of betrayal and theft, death threats, and a murder plot. As the village begins to spill its long-held secrets, Paterniti finds himself implicated in the very story he is writing. Equal parts mystery and memoir, travelogue and history, The Telling Room is an astonishing work of literary nonfiction by one of our most accomplished storytellers. A moving exploration of happiness, friendship, and betrayal, The Telling Room introduces us to Ambrosio Molinos de las Heras, an unforgettable real-life literary hero, while also holding a mirror up to the world, fully alive to the power of stories that define and sustain us. Praise for The Telling Room “Captivating . . . Paterniti’s writing sings, whether he’s talking about how food activates memory, or the joys of watching his children grow.”—NPR

THE NEW YORK TIMES BESTSELLING TRAVEL MEMOIR What happens when an unadventurous adventure writer tries to re-create the original expedition to Machu Picchu? In 1911, Hiram Bingham III climbed into the Andes Mountains of Peru and “discovered” Machu Picchu. While history has recast Bingham as a villain who stole both priceless artifacts and credit for finding the great archeological site, Mark Adams set out to retrace the explorer’s perilous path in search of the truth—except he’d written about adventure far more than he’d actually lived it. In fact, he’d never even slept in a tent. Turn Right at Machu Picchu is Adams’ fascinating and funny account of his journey through some of the world’s most majestic, historic, and remote landscapes guided only by a hard-as-nails Australian survivalist and one nagging question: Just what was Machu Picchu?

From one of our boldest, most celebrated new literary voices, a novel about a young woman's efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

A GQ Best Book of the Month • A New York Post Must-Read Book • A Flavorwire Book of the Week • A New York Daily News Can't-Put-Down Novel “[Parish] has got chops, and a feel for dialogue, and is a talent in the making.” —Bill Buford, The Wall Street Journal “Read this book in a beach chair. . . . [A] worldy and propulsive debut.”—GQ An exhilarating novel of reinvention, friendship, and ambition—from the Jersey Shore to St. Andrews in Scotland Tom Alison has it all within his reach. He’s smart, handsome, and about to graduate from a prestigious East Coast boarding school. After that it’s off to the Ivy League and then a job on Wall Street, alongside the power brokers he’s been watching from a distance as the working-class son of a single mom. And then the very life his mother worked so hard to escape catches up with him when he gets busted selling drugs. Lucky for Tom, there are places for boys and girls with ruined reputations. First, he returns to his roots on the Jersey Shore, reconnecting with a hard-living crew and cementing a bond with his new friend Clare Savage—the son of a recently disgraced financier. The two boys spend their summer surfing and partying. When fall arrives, they head to St. Andrews University in Scotland, a haven for Americans in need of a second chance and a favorite of the British rul­ing class. Tom and Clare escape to Scotland together, but it’s Tom who discovers a world shaped by even more powerful forces of greed and am­bition than the one he left behind. Sucked into a maelstrom of sex, drugs, and status, Tom learns what it takes to break the rules—and how we can be broken by them. Driven by a cast of young men and women living in an age of riotous prosperity, Down the Shore is an unflinching and unforgettable story of youth steeped in excess. Stan Parish has crafted a gripping novel that masterfully captures the lives of fallen financiers and the people they bring down with them—and reminds us that not even an ocean can separate us from our fam­ily, our friends, or our past.

Contains articles that provide information about major authors and aspects of twentieth-century world literature, arranged alphabetically from E-to-K.

Library has v. 1-3 only.