Originating from weekly talks given to a contemplative community of monks and nuns, the meditations in this book aim to help people surrender their lives to God.

Poet Veronica Golos has created a conundrum--a vocabulary of silence that acts as a kind of Zen koan for the reader: a negative space, an echo chamber, a mirror. Witnessing from afar the continuing wars in Iraq and Afghanistan conducted by the country in which she lives, the poet also witnesses herself, and struggles to find words to carry the weight of her felt responsibility. Ms. Golos then empties her beautifully wrought poems into the vast silence, filling it with the names of the dead and the living.

These are a collection of poems. From raging hiccups that destroy worlds to feeling the silence of nature. When you open this book, you will visit beautiful sunrises in the sky and travel to the surface of the ocean, visiting dreams, unfolding the future. Difference in having friends and being alone, as we grow older. Observing the life of a seed, and feeling hope even when all seems to be lost. Travelling from generation to generation, summer to winter and seeing the beauty of nature. Delve into this colourful world, all here in black and white.

No TV, no cell phone, no social media, no family or friends. Just alone in silence for sixty days. Written from a small cabin in the mountains above Santa Cruz, California, Bok's diary recounts his retreat into solitude and his search for a return to the simplicity of pure being. Without distraction, he has no choice but to face whatever comes—whether it's the incessant chatter of the mind, the arising of overwhelming emotions, or the simple observations of running water and birdsong. We say it's Bok's diary, but he draws us in so intimately that these sixty days become our own. Through this intense and immersive process, both for Bok and the reader, a deeper place is found within, a place of stillness and well being. You may be surprised what Bok finds, or more importantly, what he doesn't find. Alexandra Burda’s illustrations are a perfect compliment to the sparseness, sensitivity and beauty of the text.

An introduction to the practice of Christian meditation, this book offers a twelve step programme in learning meditative prayer.

In our talkative Western culture, speech is synonymous with authority and influence while silence is frequently misheard as passive agreement when it often signifies much more. In her groundbreaking exploration of silence as a significant rhetorical art, Cheryl Glenn articulates the ways in which tactical silence can be as expressive and strategic an instrument of human communication as speech itself. Drawing from linguistics, phenomenology, feminist studies, anthropology, ethnic studies, and literary analysis, Unspoken: A Rhetoric of Silence theorizes both a cartography and grammar of silence. By mapping the range of spaces silence inhabits, Glenn offers a new interpretation of its complex variations and uses. Glenn contextualizes the rhetoric of silence by focusing on selected contemporary examples. Listening to silence and voice as gendered positions, she analyzes the highly politicized silences and words of a procession of figures she refers to as "all the President's women," including Anita Hill, Lani Guiner, Gennifer Flowers, and Chelsea Clinton. She also turns an investigative ear to the cultural taciturnity attributed to various Native American groups--Navajo, Apache, Hopi, and Pueblo--and its true meaning. Through these examples, Glenn reinforces the rhetorical contributions of the unspoken, codifying silence as a rhetorical device with the potential to deploy, defer, and defeat power. Unspoken concludes by suggesting opportunities for further research into silence and silencing, including music, religion, deaf communities, cross-cultural communication, and the circulation of silence as a creative resource within the college classroom and for college writers.

In A Silence of Words, Olivia Dresher's poetic aphorisms and other brevities, taken from her first few years at Twitter beginning in 2009, express her devotion to short forms that she also explored in her book In Pieces: An Anthology of Fragmentary Writing. Ten years later, in 2019, she has a significant following at Twitter and has written over 58,000 tweets, of which 874 appear in this book. As one of her followers noted, "You write as you breathe, shaping everything with some sort of second nature." Published by Impassio Press, www.impassio.com