17 year old actress Kelly Winslow thinks that playing the role of the fairy queen Titania in a production of Shapespeare's Midsummer Night's Dream could be her lucky break-if she can pull it off.

The first major biography of Glenn Gould to stress the critical influence of the Canadian context on his life and art Glenn Gould was not, as has previously been suggested, an isolated and self-taught eccentric who burst out of nowhere onto the international musical scene in the mid-1950s. He was, says Kevin Bazzana in this fascinating new full-scale biography, very much a product of his time and place – and his entire life and diverse work reflect his Canadian heritage. Bazzana, editor of the international Glenn Gould magazine, throws fresh light on this and many other aspects of Gould’s celebrated life as a pianist, writer, broadcaster, and composer. He portrays Gould’s upbringing in Toronto’s neighbourhood of The Beach in the 1930s, revealing the area’s influence as a distinct social, religious, and cultural milieu. He looks at the impact of Canadian radio on the young musician, his relations with the “new music” crowd in Toronto, and the ways in which his career was furthered by the extraordinary growth of Canada’s cultural institutions in the 1950s. He examines Gould’s place within the CBC “culture” of the 1960s and ‘70s, and his distinctly Canadian sense of humour. Bazanna also reveals new information on Gould’s famous eccentricities, his sometimes bizarre stage manner, his highly selective repertoire, his control mania, his private and sexual life, his hypochondria, his romanticism, and his abrupt retirement from concert performance to communicate solely through electronic and print media. And finally, he takes a detailed look at the extraordinary phenomenon of the posthumous “life” that Gould and his work have enjoyed.

WINNER OF THE PRESIGIOUS ETISALAT AWARD AN ADVENTURE-FILLED HISTORICAL-FOLKLORIC NOVEL ABOUT A PALESTINIAN GIRL WHO DEVELOPS GREAT HEALING SKILLS AND TRAVELS AROUND THE REGION, SOMETIMES DRESSED AS A MAN Sonia Nimr’s award-winning Wondrous Journeys in Strange Lands is a richly imagined feminist-fable-plus-historical-novel that tells an episodic travel narrative, like that of the great 14th century Moroccan traveler Ibn Battuta, through the eyes of a clever and irrepressible young Palestinian woman. The story begins hundreds of years ago, when our hero—Qamr—is born as an outcast, at the foot of a mountain in Palestine, near her father’s strange, isolated village. Qamr’s mother must solve the mystery of why only boys are born in this odd, conservative village. Then, in 1001 Nights style, this tale moves into another. Qamr’s parents die and a prince with many wives wants to marry her. Qamr takes her favorite book, Wondrous Journeys in Strange Lands, and flees through Gaza, to Egypt, where she is captured, enslaved, and sold to the sister of the mad king in Egypt. After escaping, she flees to study with a polymath in Morocco. But when it’s discovered she’s a girl, she must leave again, disguising herself as a boy pirate to sail the Mediterranean. Through all her fast-paced battles, mysteries, and adventures, Qamr never finds a home, but she does manage to create a family.

Much has changed since Kelley Winslow learned she was a Faerie princess, fell in love with changeling guard Sonny Flannery, and saved the mortal realm from the ravages of the Wild Hunt. Now Kelley is stuck in New York City, rehearsing Romeo and Juliet and missing Sonny more with every stage kiss, while Sonny has been forced back to the Otherworld and into a deadly game of cat and mouse with the remaining Hunters and Queen Mabh herself. When a terrifying encounter sends Kelley tumbling into the Otherworld, her reunion with Sonny is joyful but destined to be cut short. An ancient, hidden magic is stirring, and a dangerous new enemy is willing to risk everything to claim that power. Caught in a web of Faerie deception and shifting allegiances, Kelley and Sonny must tread carefully, for each next step could topple a kingdom . . . or tear them apart.

“I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs.” —Flannery O’Connor When she was young, the writer Flannery O’Connor was captivated by the chickens in her yard. She’d watch their wings flap, their beaks peck, and their eyes glint. At age six, her life was forever changed when she and a chicken she had been training to walk forwards and backwards were featured in the Pathé News, and she realized that people want to see what is odd and strange in life. But while she loved birds of all varieties and kept several species around the house, it was the peacocks that came to dominate her life. Written by Amy Alznauer with devotional attention to all things odd and illustrated in radiant paint by Ping Zhu, The Strange Birds of Flannery O’Connor explores the beginnings of one author’s lifelong obsession. Amy Alznauer lives in Chicago with her husband, two children, a dog, a parakeet, sometimes chicks, and a part-time fish, but, as of today, no elephants or peacocks. Ping Zhu is a freelance illustrator who has worked with clients big and small, won some awards based on the work she did for aforementioned clients, attracted new clients with shiny awards, and is hoping to maintain her livelihood in Brooklyn by repeating that cycle.

"I don't love Sonny Flannery." That's the lie Kelley Winslow told to protect the boy she loves from a power he doesn't know he possesses. Devastated, Sonny retreats—to a haven for Lost Fae that's hidden deep underneath New York City. But Kelley's not about to let things end in heartbreak. To get Sonny back, she's got to find out who's after his magick—and how to use her own. She's got to uncover who's recruiting Janus Guards to murderously hunt innocent Faerie. She's got to help rebuild the shattered theater company she called family. And she's got to do it all without getting dangerously distracted by the Fennrys Wolf, whose legendary heart of stone seems to melt whenever he's around Kelley. The intrigue and romance that began with Wondrous strange and Darklight come to a stormy head in Tempestuous, the breathtaking conclusion to Lesley Livingston's ravishing urban Faerie trilogy.

An enchanting collection of fantastical and colorful paintings by four American Realism painters--Howard Pyle, N. C. Wyeth, and Wyeth's son and grandson--examines the relationship among these artists and suggests how illustration and the fine arts intersect in their work. 12,500 first printing.