This book chronicles the history of the All-American Girls Professional Baseball League and the stories of the first women to play professional baseball in a league of their own. In 1941, the world was at war, and with able-bodied American men fighting overseas, professional baseball was in danger of becoming a quaint relic—until women stepped up to the plate. In this heartwarming illustrated history, the League's story is told by the ones who know it best: the players. Author Anika Orrock collects a variety of funny, charming, wince-worthy, and powerful vignettes told by the players themselves about their time playing the American pastime. • Features stories of grit and perseverance against all odds, told by the players themselves • Filled with player statistics, historical beats, headlines, and more; and fully illustrated in Anika's vibrant style • A visually engaging, readable women-led history book Written in an approachable manner and beautifully illustrated, The Incredible Women of the All-American Girls Professional Baseball League is a one-of-a-kind story told through the women's own voices and their own perspectives. This book ultimately proves that the incredible women of the AAGPBL truly were in a league of their own. • A unique celebration of a specific moment in women's and sports history • A great read for experienced and new sports fans alike, readers young and old, baseball fans • Perfect accompaniment to books like Women in Science: 50 Fearless Pioneers Who Changed the World by Rachel Ignotofsky, Strong is the New Pretty by Kate T. Parker, and Rad American Women A-Z: Rebels, Trailblazers, and Visionaries who Shaped Our History . . . and Our Future! by Kate Schatz

This in-depth treatment of the organization and operation of the All-American Girls Professional Baseball League draws on primary documents from league owner Arthur Meyerhoff and others for a unique perspective inside the AAGPBL. The study begins with a brief history of women's softball, an important precursor to, and talent pool for, women's professional baseball. Next the book investigates league administration and organization as well as publicity and promotion. Later chapters cover team administrative structures, managers, chaperones, player backgrounds, and league policies. Finally, discussion focuses on the activities of the AAGPBL Players' Association from 1980 onward. Informed by many years of research and insights from former players, this exhaustive history contains 149 photographs.

Disapproving scolds. Sexist condescension. Odd theories about the effect of exercise on reproductive organs. Though baseball began as a gender-neutral sport, girls and women of the nineteenth century faced many obstacles on their way to the diamond. Yet all-female nines took the field everywhere. Debra A. Shattuck pulls from newspaper accounts and hard-to-find club archives to reconstruct a forgotten era in baseball history. Her fascinating social history tracks women players who organized baseball clubs for their own enjoyment and found roster spots on men's teams. Entrepreneurs, meanwhile, packaged women's teams as entertainment, organizing leagues and barnstorming tours. If the women faced financial exploitation and indignities like playing against men in women's clothing, they and countless ballplayers like them nonetheless staked a claim to the nascent national pastime. Shattuck explores how the determination to take their turn at bat thrust female players into narratives of the women's rights movement and transformed perceptions of women's physical and mental capacity.

For a dozen years in the 1940s and 1950s, more than 700 women played professional baseball in the All-American Girls Professional Baseball League. Though some saw their brand of ball as a sideshow or wartime diversion, the women were all tough competitors and superb athletes. They set records that remain unequaled by their male counterparts, including Sophie Kurys' 201 stolen bases in a single season and Joanne Winter's 63 consecutive scoreless innings. And the 1944 AAGPBL All-Star game was the first night game at Chicago's Wrigley Field. This is the most comprehensive look ever at the players of this women's league. From Velma Abbott to Agnes "Aggie" Zurkowski, over 600 players are profiled. For each player, vital dates, place of birth, height, weight, defensive position, teams played for and seasons active are provided, along with complete career statistics. These data are followed (in most cases) by a brief biographical sketch that details the player's career, how she came to play in the league and information on her post-baseball career. Most of the photographs are from the personal files of the players and have never before been published.

Growing up, Pat Brown had two dreams: to play baseball and to attend college. She was told she couldn't play baseball because she was a girl and couldn't attend college because she had no money, but in spite of the obstacles, she achieved both of these dreams, playing for the All-American Girls Professional Baseball League in 1950 and 1951 and going on to attend college. She is among the few women professional baseball players to be included into the National Baseball Hall of Fame. "As the only former AAGPBL player to have written about the League," Brown says, "I feel like I have finally pitched my no hit game." This is a memoir of playing baseball on the sandlot, discovering and playing in the AAGPBL, and playing basketball in college. Brown shares her thoughts on the League's history, including what Philip K. Wrigley sought to do by creating the AAGPBL, what happened after Wrigley left to give more attention to the Chicago Cubs, and why the League ended. She also considers the future for women's professional baseball. Interviews with such former AAGPBL players as Helen Hannah Campbell, Patricia "Pat" Courtney, Madeline "Maddy" English, Lenora "Smokey" Mandella, Jacqueline "Jackie" Matson, Jane Moffet, Mary "Sis" Moore, and Janet "Pee Wee" Wiley are included.

Women have been involved in baseball from the game's early days, in a wide range of capacities. This ambitious encyclopedia provides information on women players, managers, teams, leagues, and issues since the mid-19th century. Players are listed by maiden name with married name, when known, in parentheses. Information provided includes birth date, death date, team, dates of play, career statistics and brief biographical notes when available. Related entries are noted for easy cross-reference. Appendices include the rosters of the World War II era All American Girls Professional Baseball League teams; the standings and championships from the AAGPBL; and all women's baseball teams and players identified to date.

In 2010 twenty American women were selected to represent Team USA in the fourth Women’s Baseball World Cup in Caracas, Venezuela; most Americans, however, had no idea such a team even existed. A Game of Their Own chronicles the largely invisible history of women in baseball and offers an account of the 2010 Women’s World Cup tournament. Jennifer Ring includes oral histories of eleven members of the U.S. Women’s National Team, from the moment each player picked up a bat and ball as a young girl to her selection for Team USA. Each story is unique, but they share common themes that will resonate with young female players and fans alike: facing skepticism and taunts from players and parents when taking the batter’s box or the pitcher’s mound, self-doubt, the unceasing pressure to switch to softball, and eventual acceptance by their baseball teammates as they prove themselves as ballplayers. These racially, culturally, and economically diverse players from across the country have ignored the message that their love of the national pastime is “wrong.” Their stories come alive as they recount their battles and most memorable moments playing baseball—the joys of exceeding expectations and the pleasure of honing baseball skills and talent despite the lack of support. With exclusive interviews with players, coaches, and administrators, A Game of Their Own celebrates the U.S. Women’s National Team and the excellence of its remarkable players. In response to the jeer “No girls allowed!” these are powerful stories of optimism, feistiness, and staying true to oneself.