From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, tales of flying women - some carried by wings, others by rainbows, floating scarves, or flying horses - reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly,Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She introduces a wide range of such figures, including supernatural women like the Valkyries ofNorse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi, airborne Christian mystics, and wayward women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines theextraordinary mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch.Throughout, the book Young traces the inextricable link between female power and sexuality and the male desire to control it. This is most vividly portrayed in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brunnhilde loses her great physical strength when she is tricked intogiving up her virginity. Centuries earlier the theme is seen in Euripides' play Medea, in which the title character - enraged by her husband's intention to marry a younger woman - uses her divine powers in revenge, wreaking chaos and destruction around her. It is a theme that remains tangible evenin the twentieth-century exploits of the comic book character Wonder Woman who, Young argues, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited.The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly is an exciting, fresh look at the ways in which women have both influenced and been understood by society and religious traditions around the world.

From NPR correspondent Keith O' Brien comes this thrilling Young Readers' edition of the untold story about pioneering women, including Amelia Earhart, who fought to compete against men in the high-stakes national air races of the 1920s and 1930s--and won. In the years between World War I and World War II, airplane racing was one of the most popular sports in America. Thousands of fans flocked to multiday events, and the pilots who competed in these races were hailed as heroes. Well, the male pilots were hailed. Women who flew planes were often ridiculed by the press, and initially they weren't invited to race. Yet a group of women were determined to take to the sky--no matter what. With guts and grit, they overcame incredible odds both on the ground and in the air to pursue their dreams of flying and racing planes. Fly Girls follows the stories of five remarkable women: Florence Klingensmith, a highâe'school dropout from North Dakota; Ruth Elder, an Alabama housewife; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, a daughter of Wall Street wealth who longed to live a life of her own; and Louise Thaden, who got her start selling coal in Wichita. Together, they fought for the chance to race against the men--and in 1936 one of them would triumph in the toughest raceof all. Complete with photographs and a glossary, Fly Girls celebrates a little-known slice of history wherein tenacious, trail-blazing women braved all obstacles to achieve greatness.

"A lively, unexpected portrait of the jet-age stewardesses serving on iconic Pan Am airways between 1966 and 1975"--

When Harriet Hall graduated from medical school in 1970 and entered the Air Force, she was in a distinct minority. As the second woman ever to do an Air Force internship, she had to fight for acceptance. Even a patient's 3 year old daughter proclaimed, "Oh, Daddy! That's not a doctor, that's a lady." She was refused a residency, paid less than her male counterparts, couldn't live on base, and couldn't claim her husband as a dependent because he wasn't a wife. After six years as a general medical officer in Franco's Spain, she became a family practice specialist and a flight surgeon, doing everything from delivering babies to flying a B-52. She earned her pilot's license despite being told "Women aren't supposed to fly," and eventually retired from the Air Force as a full colonel. She is witness to an era when society was beginning to accept women in traditionally male jobs but didn't entirely like the idea yet. A somewhat warped sense of humor kept her afloat, and it spices the stories she tells about her own experiences and the patients and colleagues she encountered.

'For fans of Margaret Atwood' Elle 'Thoughtful...wry, magical' Guardian 'brimming with wonder' Raven Leilani, author of Luster Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behaviour raises suspicions and a woman - especially a Black woman - can find herself on trial for witchcraft. Finally ready to let go of the past, Jo’s future is in doubt. The State mandates that all women marry by the age of 30 - or forfeit their autonomy by registering to be monitored. At 28, Jo is ambivalent about marriage, feeling she has never understood her mother more. When offered the opportunity to honour one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. Reminiscent of the works of Margaret Atwood, Deborah Harkness, and Octavia E. Butler, The Women Could Fly is a feminist speculative novel that speaks to our times – a piercing dystopian tale, set in a world in which magic is real and single women are closely monitored in case they are shown to be witches . . .

Born to Fly is the gripping story of the fearless women pilots who aimed for the skies—and beyond. Just nine years after American women finally got the right to vote, a group of trailblazers soared to new heights in the 1929 Air Derby, the first women's air race across the U.S. Follow the incredible lives of legend Amelia Earhart, who has captivated generations; Marvel Crosson, who built a plane before she even learned how to fly; Louise Thaden, who shattered jaw-dropping altitude records; and Elinor Smith, who at age seventeen made headlines when she flew under the Brooklyn Bridge. These awe-inspiring stories culminate in a suspenseful, nail-biting rate across the country that brings to life the glory and grit of the dangerous and thrilling early days of flying, expertly told by the master of nonfiction history for young readers, National Book Award finalist Steve Sheinkin. Featuring illustrations by Bijou Karman.