Studies the mysteries surrounding traditional and contemporary Chirichua Apache culture.

WHITE PAINTED WOMAN appears in ancient myths of the Chiricahua Apaches as the virgin mother of the people and the origin of women's ceremonies. Such Chiricahua myths and traditions have closely prescribed the roles of women in relation to their husbands and children, to relatives and extended families, and to the band or tribe. One of those roles is to safeguard and hand on to the next generation the lore and customs of the people. In this way, Chiricahua women have served as safekeepers of a heritage that is now endangered. For more than a decade, H. Henrietta Stockel has moved with remarkable freedom and intimacy among the Chiricahuas, especially in the women's friendship circles. With their permission and even blessing, she has observed and recorded aspects of their traditional culture that otherwise might be lost to history. Chiricahua Apache Women and Children, written in a familiar, personal style, focuses on the duties and experiences of historical Chiricahua Apache women and the significant influences they have exerted within the family and the tribe at large. After beginning with a look at creation myths, Stockel turns to family patterns and roles. She describes in detail the puberty ceremony she has repeatedly witnessed, a ceremony little known by those outside the band. Stockel looks also at the alternative lifestyle, also culturally prescribed, of four women warriors. She concludes with Mildred Cleghorn, a contemporary "woman warrior" who was chairperson of the Fort Sill Chiricahua/Warm Springs Apache Tribe in Oklahoma for nearly twenty years and who was also Stockel's close friend and "Apache mother". Beautifully complemented with thirty-two black-and-whiteillustrations of women, children, and family life, Chiricahua Apache Women and Children offers a vivid glimpse into traditional Chiricahua Apache women's lifestyles.

From back cover: "'Apache Women Warriors' challenges the popular literature and film stereotypes of the passive Native American woman. Apache women were able to assume a variety of roles which gave them more prestige and freedom than most of their eighteenth and nineteenth century female counterparts."

Warrior Woman is the story of Lozen, sister of the famous Apache warrior Victorio, and warrior in her own right. Hers is a story little discussed in Native American history books. Instead, much of what is known of her has been passed down through generations via stories and legends. For example, it is said that she was embued with supernatural powers, given to her by the gods. She would lift her arms to the sky and place her palms against the wind, and through the heat she felt in her open hands, she could detect the direction and distance of her enemies. Whether true or not, she did ride into battle alongside Geronimo in the Apache wars, and fought bitterly and savagely until she was captured along with her people, packed into railroad cars, and sent to imprisonment in the east, where she spent her last days. Peter Aleshire uses historical facts and oral histories to recreate her life. With immaculate detail he tells the story of her childhood, surrounded by the vastness of nature and the Chiricahua legends and religions that shaped her thoughts. He describes her coming-of-age ceremonies, and induction into her tribe as a spiritual leader. As the white men slowly took over the land of her people and forced them from one reservation to another, her role slowly evolved to match that of the staunchest warrior -- an almost unheard-of occurence among the Native Americans of the 19th century, where a woman's place was with the children in the villages. This is not only the story of Lozen, but the story of her people, from the events leading up to the Apache Wars until their inevitable and unfortunate conclusion.

Provides an overview of the past and present lives of the Apache Native Americans, covering their daily life, customs, and relations with the government. Includes information on Geronimo.

Winner of a National Council on Public History Book Award On April 30, 1871, an unlikely group of Anglo-Americans, Mexican Americans, and Tohono O’odham Indians massacred more than a hundred Apache men, women, and children who had surrendered to the U.S. Army at Camp Grant, near Tucson, Arizona. Thirty or more Apache children were stolen and either kept in Tucson homes or sold into slavery in Mexico. Planned and perpetrated by some of the most prominent men in Arizona’s territorial era, this organized slaughter has become a kind of “phantom history” lurking beneath the Southwest’s official history, strangely present and absent at the same time. Seeking to uncover the mislaid past, this powerful book begins by listening to those voices in the historical record that have long been silenced and disregarded. Massacre at Camp Grant fashions a multivocal narrative, interweaving the documentary record, Apache narratives, historical texts, and ethnographic research to provide new insights into the atrocity. Thus drawing from a range of sources, it demonstrates the ways in which painful histories continue to live on in the collective memories of the communities in which they occurred. Chip Colwell-Chanthaphonh begins with the premise that every account of the past is suffused with cultural, historical, and political characteristics. By paying attention to all of these aspects of a contested event, he provides a nuanced interpretation of the cultural forces behind the massacre, illuminates how history becomes an instrument of politics, and contemplates why we must study events we might prefer to forget.

Through 70 color photographs & accompanying text, the author relates the sacred rites by which an Apache girl becomes a woman.