Cover -- Title -- Copyright -- Dedication -- Contents -- Illustrations -- Acknowledgements -- A note on orthography and semantics -- A note on primary sources -- Introduction -- PART I Imperial awakenings -- 1 Women, the Church Missionary Society and imperialism -- 2 'In journeyings oft': missionary journeys to and around Uganda at the end of the nineteenth century -- PART II Arrivals -- 3 'Welcome' encounters: early relations with Ugandans -- 4 Female missionaries and moral authority: a case study from Toro -- PART III Mission and Church -- 5 Ugandan women and the Church: generational change -- 6 The experience of women in mission and Church organisations -- 7 Training for motherhood: the Mothers' Union -- PART IV Tensions within -- 8 A Christian women's protest in Buganda in 1931 -- 9 Tensions within the Uganda Mission: gender and patriarchy -- Conclusion: links - 1895-1960s -- Index

This volume recounts the experiences of female missionaries who worked in Uganda in and after 1895. It examines the personal stories of those women who were faced with a stubbornly masculine administration representative of a wider masculine administrative network in Westminster and other outposts of the British Empire. Encounters with Ugandan women and men of a range of ethnicities, the gender relations in those societies and relations between the British Protectorate administration and Ugandan Christian women are all explored in detail. The analysis is offset by the author’s experience of working in Uganda at the close of British Protectorate status in the 1960s, employed by the Uganda Government Education Department in a school founded by the Uganda Mission.

A vivid portrayal of Kivebulaya's life that interrogates the role of indigenous agents as harbingers of change under colonization, and the influence of emerging polities in the practice of Christian faiths.

The spread of the British Empire around the globe made vast changes in the relationship of peoples to places. Because the logistics of colonization varied, countries passed in and out of the empire, some rapidly and others slower or by degrees. Multiculturalism broadened the world’s ability to read the English language and understand and adopt England’s ethics and morals. Into the early twentieth century, the posting of the British army and navy and the establishment of English-style embassies and police forces in remote colonies freed single travelers, especially women and children, of the fear of violence or kidnap. As a result, girls and women found outlets for creativity by exploring unfamiliar lands. In Women's Art of the British Empire, Mary Ellen Snodgrass provides an overview of multiracial arts and crafts from Great Britain’s Empire. Drawing upon primary sources, this volume encompasses a wide variety of artistic accomplishment, such as: sewing and quilting basketry and weaving songwriting and dancing diaries, memoirs, editorials, and speeches Each entry includes a comprehensive bibliography of primary and secondary sources, as well as further readings on the female artists and their respective crafts. With its informative entries and extensive examinations of artistic talent, Women's Art of the British Empire is a valuable resource for students, scholars, and anyone interested in learning about the history of women and their artistic contributions.