Between the poles of the Cold War era's sales promotion standards, print advertising thrived in Greece in the 1960s - in particular relating to female consumption. What are the similarities between American women as protagonists in the world of advertising and women as consumers in 1960's Greece? Are the women portrayed in print ads nothing but 'hybrids' of the American consumption model and the Greek consumerism boom of that era? What are the technical and aesthetic, but also social and cultural connotations of female advertising in Greece at that time? How do they reflect women's position in society? In a thorough historical case study with a wealth of illustrations and a concise analysis of advertising communications, Johannis Tsoumas investigates hitherto hardly known data and shows the importance of the role of Greek women - not only as consumers but primarily as protagonists in the formation of a then new consumption model which had been imported from the United States.

Between the poles of the Cold War era’s sales promotion standards, print advertising thrived in Greece in the 1960s, particularly as it related to female consumption. What are the similarities between American women as protagonists in the world of advertising and women as consumers in 1960s Greece? Are the women portrayed in print advertisements nothing but “hybrids” of the American consumption model and the Greek consumerism boom of the era? What were the technical and esthetic, but also social and cultural connotations of female advertising in Greece at that time? How do they reflect women’s position in society? Through a detailed, historical case study with a wealth of illustrations and a concise analysis of advertising communication, this book investigates hitherto unknown data, and shows the importance of the role of Greek women, not only as consumers, but primarily as protagonists in the formation of a new consumption model which had been imported from the United States.

This comprehensive second edition provides an updated essential guide to the key issues, methodologies, concepts, debates, and policies that shape our everyday relationship with advertising. This updated edition takes a critical look at advertising and promotion during the explosion of digital and social media, as well as with significant social and cultural shifts, including the COVID-19 pandemic, the rise of the Black Lives Matter movement, the destabilization of democracies and rise of authoritarianism around the world, and intensification of the climate crisis. The book offers global perspectives on advertising and promotion with attention to issues of diversity and difference. It contains eight sections: Historical Perspectives on Advertising and Promotion; Promotional Industries; Advertising Audiences; Advertising Identities; Advertising and/in Crisis; Promotion and Politics; Promotionalism and Its Expansions; and Advertising, Promotion, and the Environment. With chapters written by leading international scholars working at the intersections of media and advertising studies, this book is a go-to source for scholars and students in communication, media studies, and advertising and marketing looking to understand the ways advertising has shaped consumer culture, in the past and present.

Roman soldiers were forbidden to marry during service; many formed "de facto" families. This book analyzes the evidence for this ban; the social and legal history of the soldiers' families; and the marriage ban as policy and as cultural formation.

"What if truth were a woman?" asked Nietzsche. In ancient Greek thought, truth in language has a special relation to the female by virtue of her pre-eminent art-form--the one Freud believed was even invented by women--weaving. The essays in this book explore the implications of this nexus: language, the female, weaving, and the construction of truth. The Homeric bard--male, to be sure--inherits from Indo-European culture the designation of his poetry as a weaving, the female's art. Like her tapestries, his "texts" can suspend, reverse, and re-order time. He can weave the content from one world into the interstices of another. The male poet shares the ambiguous power of the female Muses whose speech he channels. "We can say false things like to real things, and whenever we wish, we can utter the truth."