James W. Brooks packed several lifetimes of adventure into his sixty-five years in Alaska - working as a fisherman, trapper, musher, miner, wartime flyer, bush pilot, and whale biologist. In a beautifully written memoir, Brooks tells of being drawn to the North, where he lived off the land in the final years of the Territory of Alaska. Later, he served as commissioner of fish and game under two governors. Literally, Brooks lived and worked among the creatures of Alaska, from the walrus and seal habitats of the Bering Sea to the commercial fisheries in the Panhandle, and from the vast waterfowl nesting grounds of the Southwest river deltas to the harsh Arctic home of the polar bear. Brooks balanced politics and science in dealing with battles over wildlife management including controversial aerial wolf hunting intended to conserve moose populations that feed many two-legged creatures of Alaska.

London, 2050. The socio-economic crisis of recent decades is over and consumerism is thriving. Ownership of land outside the city is the preserve of a tiny elite, and the rest of the population must spend to earn a Right to Reside. Ageing has been abolished thanks to a radical new approach, replacing retirement with blissful euthanasia at a Dignitorium. When architect Philip goes missing, his wife, Alice, risks losing her home and her status, and begins to question the society in which she was raised. Her search for him uncovers some horrifying truths about the fate of her own family and the reality behind the new social order. Wolf Country is a powerful dystopian vision in the spirit of Black Mirror and Never Let Me Go. 'A chilling and politically astute dystopia – sci-fi in the tradition of Wyndham' – Jane Rogers

Winner of the 2022 Ernest J. Gaines Award for Literary Excellence Shortlisted for the 2023 Hurston/Wright Legacy Award for Fiction Shortlisted for the 2023 Mark Twain American Voice in Literature Award A transnational feminist novel about human trafficking and motherhood from an award-winning author. Saddled with student loans, medical debt, and the sudden news of her infertility after a major car accident, Shannon, an African American woman, follows her boyfriend to Morocco in search of relief. There, in the cobblestoned medina of Marrakech, she finds a toddler in a pink jacket whose face mirrors her own. With the help of her boyfriend and a bribed official, Shannon makes the fateful decision to adopt and raise the girl in Louisville, Kentucky. But the girl already has a mother: Souria, an undocumented Mauritanian woman who was trafficked as a teen, and who managed to escape to Morocco to build another life. In rendering Souria’s separation from her family across vast stretches of desert and Shannon’s alienation from her mother under the same roof, Jacinda Townsend brilliantly stages cycles of intergenerational trauma and healing. Linked by the girl who has been a daughter to them both, these unforgettable protagonists move toward their inevitable reckoning. Mother Country is a bone-deep and unsparing portrayal of the ethical and emotional claims we make upon one another in the name of survival, in the name of love.

Wolves arouse a passion in people. Some are fascinated by them; others hate them. Time and again, John and Mary Theberge have been confronted by angry hunters and farmers who repeat the same refrain, “What good is a wolf anyway?” In Wolf Country, John Theberge provides a gentle answer to that harsh question by describing the lives of the Algonquin wolves that he and Mary came to know during their eleven years of tracking them. In telling their stories, he also tells something about the questions he set out to answer: whether wolf packs aggressively defend their territories; whether wolves kill more of their prey than the prey population can sustain; and whether pack behavior supports the idea of the survival of the best-fit group. This is a fascinating and inspiring story told by a man for whom the appreciation of science and life are inseparable.

"Traces the events that unfolded in Oregon as wolves from the Canadian Rocky Mountain's reintroduced population began to disperse west across state lines. From the ranching communities in Oregon's rural northeast corner to the halls of the state capitol in Salem, Collared captures the tensions and emotions that accompany one of North America's most controversial apex predators."--Syndetics.

In Wolf Country tells the story of the first groups of wolves that emigrated from reintroduced areas in Idaho to re-colonize their former habitat in the Pacific Northwest, how government officials prepared for their arrival, and the battles between the people who welcome them and the people who don’t, set against the backdrop of the ongoing political controversy surrounding wolf populations in the Northern Rockies. The political maneuvering and intense controversy that has defined wolves’ recovery in the West makes this a compelling and timely read.

An epic story of the American wheat harvest, the politics of food, and the culture of the Great Plains For over one hundred years, the Mockett family has owned a seven-thousand-acre wheat farm in the panhandle of Nebraska, where Marie Mutsuki Mockett’s father was raised. Mockett, who grew up in bohemian Carmel, California, with her father and her Japanese mother, knew little about farming when she inherited this land. Her father had all but forsworn it. In American Harvest, Mockett accompanies a group of evangelical Christian wheat harvesters through the heartland at the invitation of Eric Wolgemuth, the conservative farmer who has cut her family’s fields for decades. As Mockett follows Wolgemuth’s crew on the trail of ripening wheat from Texas to Idaho, they contemplate what Wolgemuth refers to as “the divide,” inadvertently peeling back layers of the American story to expose its contradictions and unhealed wounds. She joins the crew in the fields, attends church, and struggles to adapt to the rhythms of rural life, all the while continually reminded of her own status as a person who signals “not white,” but who people she encounters can’t quite categorize. American Harvest is an extraordinary evocation of the land and a thoughtful exploration of ingrained beliefs, from evangelical skepticism of evolution to cosmopolitan assumptions about food production and farming. With exquisite lyricism and humanity, this astonishing book attempts to reconcile competing versions of our national story.