Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls 'heavy entertainment' – strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.

For most people, home is a place with four walls. It's a place to eat, sleep, rest, and live. For a refugee, the concept of home is ever-changing, ever-moving, ever-wavering. And often, it doesn't have any walls at all. Eleven-year-old Lam escapes from Vietnam with Dee Dee during the Vietnamese Boat People Exodus in 1979, when people from Vietnam, Laos, and Cambodia fled their homelands for safety. For a refugee, the trip is a long and perilous one, filled with dangerous encounters with pirates and greedy sailors, a lack of food and water, and even the stench of a dead body onboard. When they finally arrive at a refugee camp, Lam befriends Dao, a girl her age who becomes like a sister-a welcome glimmer of happiness after a terrifying journey. Readers will feel as close to Lam as the jade pendant she wears around her neck, sticking by her side throughout her journey as she experiences fear, crushing loss, boredom, and some small moments of joy along the way. Written in verse, this is a heartfelt story that is sure to build empathy and compassion for refugees around the world escaping oppression.

In Church Without Walls, prominent author Jim Petersen offers an exciting definition of the church that pushes beyond the too-small boundaries we've inherited from the past. This book explores why some church forms impede the gospel in today's postmodern world.

Corrigan argues that in the past 25 years the increased conglomerization of film production/distribution companies and the rise of VCR, satellite, and cable television technologies have altered the way films are made and how we view them. The result is a growing internationalization of national cinema cultures and an increasing fragmentation of the audience. Video has reduced the movie to private and domestic performance. At the same time, audiences are bombarded with a surfeit of images that leaves them with a battered sense of their place in history and culture. Corrigan notes that, combined with what many critics have recognized as the growing incoherence in film texts, these facts make it more meaningful to discuss films not as texts but as multiple cultural and commercial processes constructed by increasingly specialized audiences. ISBN 0-8135-1667-6: $36.00.

A House Without Walls is a powerful story of family, hope and redemption amidst the refugee crisis in Syria from the award-winning Elizabeth Laird, illustrated by Lucy Eldridge. Thirteen-year-old Safiya and her family have been driven out of Syria by civil war. Safiya knows how lucky she is – lucky not to be living in a refugee camp, lucky to be alive. But it's hard to feel grateful when she's forced to look after her father and brother rather than go back to school, and now that she's lost her home, she's lonelier than ever. As they struggle to rebuild their lives, Safiya realizes that her family has always been incomplete and with her own future in the balance, it's time to uncover the secrets that war has kept buried.

In his latest graphic novel, Dragon Hoops, New York Times bestselling author Gene Luen Yang turns the spotlight on his life, his family, and the high school where he teaches. Gene understands stories—comic book stories, in particular. Big action. Bigger thrills. And the hero always wins. But Gene doesn’t get sports. As a kid, his friends called him “Stick” and every basketball game he played ended in pain. He lost interest in basketball long ago, but at the high school where he now teaches, it's all anyone can talk about. The men’s varsity team, the Dragons, is having a phenomenal season that’s been decades in the making. Each victory brings them closer to their ultimate goal: the California State Championships. Once Gene gets to know these young all-stars, he realizes that their story is just as thrilling as anything he’s seen on a comic book page. He knows he has to follow this epic to its end. What he doesn’t know yet is that this season is not only going to change the Dragons’s lives, but his own life as well.

A Future without Walls offers a comprehensive and complex analysis of Othering, while unveiling the connections between our divisions and the roots, forms, and consequences of the walls that have been erected. It also offers concrete steps forward to help us dismantle these walls. In A Future without Walls, T. Richard Snyder draws upon his half-century of activism in the struggle for justice and weaves analysis, prescription, and personal story throughout. Racism, extreme nationalism, xenophobia, gender abuse, bullying, and religious intolerance are all on the rise globally. Walls that many thought had been torn down are now being rebuilt. Those people who are different, and even those who differ, are treated as Other. A Future without Walls is a lamentation for the tragedy of Othering and a clarion call for justice. The dividing walls are more than a problem calling for a quick fix. They are embedded in both our history and our current culture and demand fundamental transformation. Snyder analyzes the entangled fabric of Othering: its history, roots, various forms, and inevitable violent consequences. Countering this tragedy are the voices of activists, mystics, scientists, philosophers, and theologians--black and white, indigenous and cosmopolitan, Christian, Jew, and Buddhist, female and male--each of whom urges us to embrace rather than exclude. This universal moral imperative is a call to action. A Future without Walls offers paths to healing and transformation, drawing on both individual and collective actions that have made a difference. Walls that have been erected can be dismantled. And while success is not inevitable, failure to act only guarantees disaster.