Six witches, six perspectives, one coven. Florence is a mother figure, a carer of the coven. June is a speaker, encouraging those around her to fight. Ottilie is a survivalist, doing whatever she must to ensure her friends live. Adelaide is an inventor, building things to make their lives easier at every turn. Clydia is a trained assassin, protecting her found family at all costs. Drusilla is a dreamer, wanting to live everyday like a princess, like they have already won the battle. In the Delgosi Isles, magic was outlawed for witches years ago, and the girls want nothing more than to use their powers freely. The coven have been practicing in secret, right in the depths of Eastfall woods, and they have a plan. A plan to change the way the world works. All they need to do is convince the current king that they’re not dangerous. With an invention and a great speech in their grasp, the six girls start their journey to Fairpoint, the capital city in which the royal family resides. If only things were that straightforward, though. Their deadly quest for equality brings a crusade of trickery, corruption and loss. The plan is simple, they just have to fight the royals and win.

Modern witches must save friends stolen by an ancient demon in this YA fantasy-thriller. “A cinematic, page-ripping debut.” —Kirkus Reviews “A modern day version of The Craft.” —Booklist Dan and Liss are witches. The Black Book granted them that power. Harnessing that power feels good, especially when everything in their lives makes them feel powerless. During a spell gone wrong, Liss's boyfriend is snatched away by an evil entity and presumed dead. Dan and Liss's friendship dies that night, too. How can they practice magic after the darkness that they conjured? Months later, Liss discovers that her boyfriend is alive, trapped underground in the grips of an ancient force. She must save him, and she needs Dan and the power of the Black Book to do so. Dan is quickly sucked back into Liss's orbit and pushes away her best friend, Alexa. But Alexa has some big secrets she's hiding and her own unique magical disaster to deal with. When another teenager disappears, the girls know it's no coincidence. What greedy magic have they awakened? And what does it want with these teens it has stolen? Set in the atmospheric wilds of California's northern coast, Sasha Laurens's thrilling debut novel is about the complications of friendship, how to take back power, and how to embrace the darkness that lives within us all.

The witches who populate these 100 delightfully scary stories include practitioners of white witchcraft and devotees of black magic.

Romance, magic and an age-old prophecy - the first novel in a stunning new paranormal young adult series. Born Wicked is to witches what Twilight is to vampires! Our mother was a witch too, but she hid it better. I miss her. To me, the magic feels like a curse. According to the Brothers, it's devil-sent. Women who can do magic-they're either mad or wicked. So I will do everything in my power to protect myself and my sisters. Even if it means giving up my life - and my true love. Because if the Brothers discover our secret, we're destined for the asylum, or prison . . . or death. Praise for BORN WICKED: 'A tale so captivating, you don't want it to end' - Andrea Cremer, New York Times bestselling author of the Nightshade series Jessica Spotswood is a debut US author. She grew up in a tiny one-stoplight town in Pennsylvania. Now she lives in a gentrifying hipster neighbourhood in Washington, D.C. with her playwright husband and a cuddly cat named Monkey. She's never happier than when she's immersed in a good story, and swoony kissing scenes are her favourite. Born Wicked is her debut novel for teens. Check out the stunning trailer here www.youtube.com/watch?v=KZztqxA58iw @jessica_shea www.jessicaspotswood.com

An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters